August 19, 2025<August 27, 2025 “A Line I Shouldn’t Cross”: Kaleah Lee Talks “Fever,” Dreams, and the Beauty of the Unsettling by Nicolle Knapová
August 19, 2025<October 4, 2025 Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia by Ashley Littlefield
August 18, 2025<August 18, 2025 Track-by-Track: Marissa Nadler Finds Power in Restraint on ‘New Radiations’ by Aileen Goos
August 18, 2025<August 18, 2025 BIZZY Soundtracks the Thrill of New Love in “I Really Like This Part” by Aileen Goos
August 15, 2025<August 15, 2025 Interview: Joey Valence & Brae Dance Through the Fear of Growing Up With Third Album ‘HYPERYOUTH’ by Kaiana Lee
August 15, 2025<August 15, 2025 Interview: Erin Durant on the Magic Behind the Making of Her Third LP, ‘Firetrail’ by Noa Jamir
August 15, 2025<August 15, 2025 “When It’s Working Well, It’s Out of Body”: Rising Folk Pop Artist Ha Vay on Authentic Artistry, Music-Making, & Leaving Audiences “Spellbound” by Marc Maleri
August 14, 2025<August 14, 2025 “Mostly Love & Burgers”: Royel Otis Dish on Heartbreak, Touring, & Their Sophomore Album ‘hickey’ by Miranda Urbanczyk
August 14, 2025<August 14, 2025 Hot Dogs and High Kicks: An Interview with Orla Gartland at Outside Lands ’25 by Nasim Elyasi
August 14, 2025<August 14, 2025 Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs by Ankita Bhanot
August 14, 2025<August 14, 2025 “I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis by Mitch Mosk
August 14, 2025<August 18, 2025 Shabason, Krgovich, Tenniscoats: An Unlikely Spontaneous Collective Evoke Crisp Spring Days on “Our Detour” by Adam Davidson
August 13, 2025<August 13, 2025 Atwood Magazine’s Weekly Roundup: August 13, 2025 by Atwood Magazine Staff
August 13, 2025<August 13, 2025 Premiere: Rosy Nolan Stands Her Ground in “Rising Up,” a Gothic Country Tempest of Resistance & Resilience by Mitch Mosk
August 13, 2025<August 13, 2025 Premiere: Ruby Sparks Embraces Peace and Love in “Pleasure,” a Jangle-Pop Song of Warmth, Vulnerability & Hard-Won Joy by Mitch Mosk
For the Love of Music
For the Love of Music
