April 14, 2025<April 15, 2025 Feature: Nashville’s Madison Hughes Gives Her Everything on ‘All That I Am’ by Emily Frances Algar
April 14, 2025<April 14, 2025 Today’s Song: New Haven’s Showpony Arrive with Drama, Theatricality, & Poetic Darkness on Debut Single “Shine” by Miranda Urbanczyk
April 12, 2025<April 12, 2025 Glasgow’s Bottle Rockets Answer the “Video Call” with a Heart-on-Sleeve Indie Rock Anthem by Mitch Mosk
April 11, 2025<April 11, 2025 Editor’s Picks 117: Dancer, Adam Melchor & Mt. Joy, CMAT, Arcy Drive, Sydney Sprague, and Charlotte OC! by Mitch Mosk
April 11, 2025<April 11, 2025 “Sonic Love Consciousness”: NYC’s Heaven ‘Dream Aloud’ on a Sweaty Reverie of Hazy Shoegaze, Spiritual Connection, & Emotional Surrender by Mitch Mosk
April 11, 2025<April 11, 2025 Today’s Song: Brielle Brown’s “Blessing” Is a Stirring Call for Resilience & Hope by Chloe Robinson
April 11, 2025<April 16, 2025 Atwood Magazine’s Weekly Roundup: April 11, 2025 by Atwood Magazine Staff
April 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
April 10, 2025<April 11, 2025 Interview: Magnolia Park Create a Whole New World for Their Fans on ‘VAMP’ by Kaiana Lee
April 10, 2025<April 11, 2025 Premiere: Filiah’s Enchanting “On & On” Is a Cathartic, Liberating Exhale of Shame, Healing, & Self-Acceptance by Mitch Mosk
April 10, 2025<April 10, 2025 The Jonas Brothers’ Uplifting Anthem “Love Me to Heaven” Takes Fans on a Journey to New Heights by Danielle Holian
April 9, 2025<April 9, 2025 Feature: Lucette Lets Her Bruises, Boldness, and “Big Messy Feelings” Breathe on ‘Nice Girl From the Suburbs’ by Mitch Mosk
April 9, 2025<April 9, 2025 Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC by Jamie Kahn
April 9, 2025<April 9, 2025 “Welcome to the Broadcast”: Michigander’s Jason Singer on Change, Letting Go, and Crafting a Timeless Debut Album by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
