December 13, 2024<December 13, 2024 Feature: Dino Expedition Dwell in Memory & Raw Emotion on ‘Thanks a Million,’ an Intensely Intimate Indie Rock Debut by Mitch Mosk
December 13, 2024<December 13, 2024 Atwood Magazine’s Weekly Roundup: December 13, 2024 by Atwood Magazine Staff
December 13, 2024<December 13, 2024 “Young, wild, and free”: Detroit’s Blair Embraces the Long Game in “Late to the Party,” Her Empowering Alt-Pop Fever Dream by Mitch Mosk
December 12, 2024<January 13, 2025 Editor’s Picks 106: Bleach Lab, Soda Blonde, Mara Connor, Witch Post, Arny Margret, & Fright Years! by Mitch Mosk
December 12, 2024<December 12, 2024 Roundtable Discussion: A Review of Linkin Park’s ‘From Zero’ by Atwood Magazine Staff
December 12, 2024<December 12, 2024 “When the sun hits the water, it’s a smile on my face”: Dylan Cartlidge Channels Joy into Song on His Hopeful, Sunny, & Soulful “New Day” by Mitch Mosk
December 12, 2024<December 12, 2024 Track-by-Track: York’s Bull Hit the Sweet Spot With ‘Engines of Honey,’ a Sun-Kissed, Smile-Inducing Fever Dream by Mitch Mosk
December 11, 2024<December 11, 2024 “Scuzzy, Gritty, & Grimy”: total tommy’s Jess Holt Bares Her Scars on ‘bruises,’ Her Brutally Raw Debut LP by Mitch Mosk
December 11, 2024<December 11, 2024 “It’s always the red wine that seems to break me”: The Irresistible Cheer, Charm, & Churn of Casual Male’s Debut Album by Mitch Mosk
December 11, 2024<October 7, 2025 Live Review: Nikka Costa Delivers a Perfectly Seasoned Party at Sony Hall by Kayleigh Schweiker
December 11, 2024<December 11, 2024 Interview: Celine Wanyi on Breaking New Bounds, Agency, & Creative Vulnerability in “shadow of you” by Rachel Leong
December 11, 2024<December 11, 2024 Track-by-Track: Take a Deep Dive into Fie Eike’s Debut Album, ‘Water’ by Joe Beer
December 11, 2024<December 10, 2024 Columbus- and Chicago-Based Band A-Go-Go Spin Everyday Mishaps into Garage Rock Gold on Spirited “Hardly Saving” by Guest Writer
December 10, 2024<December 10, 2024 Interview: Vince Cuneo Channels His Inner Buccaneer for New Solo Project, Portraits of Pirates by Josh Weiner
December 10, 2024<December 10, 2024 “I’ve been lost since you let me go”: Will Swinton Bares His Soul on “Walls,” an Angsty & Aching Breakup Song by Mitch Mosk
For the Love of Music
For the Love of Music
