June 2, 2017<June 2, 2017 Our Take: Mount Eerie Transmit Devastation with ‘A Crow Looked at Me’ by Lucas Koprowski
June 2, 2017<June 6, 2024 Review: Marika Hackman is Bold and Unafraid in ‘I’m Not Your Man’ by Nicole Almeida
June 2, 2017<November 15, 2017 LIVE: The xx in Technicolor at Forest Hills Stadium, Queens by Carmen Chan
8 June 1, 2017<August 30, 2021 Our Take: Kendrick Lamar’s Status as a Hip-Hop Legend is Getting DAMN. Strong by Josh Weiner
June 1, 2017<June 7, 2017 EP Premiere: The Band CAMINO Reach ‘Heaven’ with Passion & Grace by Mitch Mosk
May 30, 2017<May 30, 2017 Our Take: Mabel’s ‘Bedroom’ EP is an Even-Paced Introduction to R&B’s Brightest Newcomer by Sydney Sweeney
May 26, 2017<May 26, 2017 James Vincent McMorrow’s True Care: A Track-by-Track Review by Atwood Magazine Staff
May 26, 2017<May 26, 2017 This Just In: The Passionate Plea of “Find Yourself” by Great Good Fine Ok & Before You Exit by Mitch Mosk
May 25, 2017<May 25, 2017 Our Take: (Sandy) Alex G Is Restless and Uninhibited in ‘Rocket’ by Shayna Chabrow
May 19, 2017<June 29, 2024 Roundtable Discussion: A Review of Harry Styles’ Debut Album by Atwood Magazine Staff
May 18, 2017<May 26, 2017 Feature: flor Create Color with Sincerity & Wonder on Debut ‘come out. you’re hiding’ by Kelly Wynne
May 18, 2017<April 16, 2020 Review: The Lumineers’ “The Ballad of Cleopatra,” a Life Story Filled with Wisdom by Kelly McCafferty Dorogy
May 17, 2017<May 17, 2017 This Just In: Chasing “Dreams” with Kid Froopy’s Entrancing New Single by Alex Killian
For the Love of Music
For the Love of Music
