October 4, 2024<October 4, 2024 Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’ by Liv Goodbody
October 1, 2024<October 1, 2024 Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey by Mitch Mosk
October 1, 2024<October 1, 2024 Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival by Julia Dzurillay
September 27, 2024<September 27, 2024 “Greetings, Asbury Park!”: Springsteen Conjures ’70s Shoreside Magic at 2024’s Sea.Hear.Now Festival by Aidan Moyer
September 25, 2024<September 25, 2024 Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens by Hannah Burns
September 25, 2024<September 25, 2024 Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop by Olivia Martinez
8 September 25, 2024<September 24, 2024 Our Take: LL Cool J Cements Hip-Hop Legend Status With ‘THE FORCE’ by Josh Weiner
September 23, 2024<September 23, 2024 Roundtable Discussion: Chappell Roan’s ‘The Rise and Fall of a Midwest Princess’ Turns 1 by Atwood Magazine Staff
September 23, 2024<September 23, 2024 Review: Melt-Banana Continue a 30-Year Streak of Excellence With ‘3+5,’ a Bold, Creative, & Face-Melting Noise Rock Masterpiece by Jake Fewx
September 20, 2024<September 24, 2024 Roundtable Discussion: A Review of beabadoobee’s ‘This Is How Tomorrow Moves’ by Atwood Magazine Staff
September 20, 2024<September 20, 2024 An Album Oozing With Dangerous Ecstasy, ‘In Waves’ Is an Intense Dive into Jamie xx’s New Sound by Liv Goodbody
September 18, 2024<September 18, 2024 Beyond a ‘Reasonable Doubt’: Why Jay-Z’s Debut Is the Greatest Rap Album of All Time by Eric Schuster
September 18, 2024<September 18, 2024 “Breaking this open meant starting a riot”: Angie McMahon’s “Untangling” Is a Masterclass in Cinematic Vulnerability by Mitch Mosk
September 17, 2024<September 17, 2024 Live Review: Wunderhorse Deliver on the Hype at Brooklyn’s Union Pool by Christine Buckley
September 14, 2024<September 15, 2024 Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On by Emma Schoors
For the Love of Music
For the Love of Music
