September 5, 2023<September 7, 2023 SM Entertainment & RCA Records Debut Boy Group RIIZE With “Get a Guitar” by Freya Rinaldi
6.7 September 5, 2023<September 5, 2023 Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’ by Julia Dzurillay
August 30, 2023<August 30, 2023 Singer/Songwriter Hannah Georgas Searches for Her Sense of Self on the Dense & Intricate ‘I’d Be Lying If I Said I Didn’t Care’ by Kevin Krein
August 26, 2023<August 26, 2023 Charli XCX Curates Cool High School Vibes With ‘Bottoms’ Movie Soundtrack by Julia Dzurillay
8.9 August 22, 2023<August 22, 2023 Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’ by Marissa DeLeon
August 14, 2023<August 14, 2023 Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain! by Christopher Snyder
August 14, 2023<August 14, 2023 Chicago Loves Indie Music: A Review of Pitchfork Music Festival 2023! by Nick Polak
8.9 August 10, 2023<August 10, 2023 Our Take: YONAKA’s ‘Welcome to My House’ Finds Vindication in Reclaiming Power by Kendall Graham
8.6 August 9, 2023<August 9, 2023 Our Take: Paris Texas Rise to Their Moment on Debut Album ‘MID AIR’ by Leo Culp
August 7, 2023<August 7, 2023 Live Review: Blur at Wembley Stadium, a Weekend Decades in the Making by Adam Davidson
July 27, 2023<July 27, 2023 Review: Madrid’s 2023 Mad Cool Festival Flourishes in a New Venue by Michael Greco
July 18, 2023<July 20, 2023 Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer by Guest Writer
July 17, 2023<October 26, 2023 Review: In ‘And Things,’ Daphne Gale Gently Excavates the Twenty-Something Heart with Acoustic Storytelling by Kate Millar
July 17, 2023<July 18, 2023 The Mecca of Midwest Raves: A Review of Electric Forest 2023! by Nick Polak
July 14, 2023<July 14, 2023 Review: MisterWives’ Fiery Fourth Studio Album, ‘Nosebleeds’ by Kelly McCafferty Dorogy
For the Love of Music
For the Love of Music
