7.9 May 29, 2025<May 29, 2025 Our Take: Peter Doran Invites Us into the Sacred Unknown on ‘All the World Is Running on a Mystic Code’ by Danielle Holian
7.4 May 27, 2025<May 27, 2025 Our Take: GRAE’s ‘7 Minutes ‘Til Heaven’ Is a Fearless Pop Odyssey of Power, Pain, & Reinvention by Danielle Holian
May 21, 2025<May 21, 2025 Charli xcx’s “party 4 u”: The Song That Waited to Be Loved Finally Gets Its Spotlight by Danielle Holian
May 16, 2025<May 16, 2025 Rose Paradise’s ‘Over the Hill’ Release Party Heralds the Start of a New Era in Folk by Rob Colucci
May 14, 2025<May 14, 2025 Roundtable Discussion: A Review of Mumford & Sons’ ‘RUSHMERE’ by Atwood Magazine Staff
May 6, 2025<May 6, 2025 Roundtable Discussion: A Review of Lucy Dacus’ ‘Forever Is a Feeling’ by Atwood Magazine Staff
May 5, 2025<May 5, 2025 EP Review: Swervedriver Make a Beautiful and Moody Return with ‘The World’s Fair’ by Adam Davidson
April 30, 2025<April 30, 2025 Live Review: Lunar Vacation Steal the Show During Their Performance on Super Bowl Sunday by Miranda Urbanczyk
8.6 April 24, 2025<April 24, 2025 Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation by Danielle Holian
April 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
April 9, 2025<April 9, 2025 Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC by Jamie Kahn
April 9, 2025<April 9, 2025 Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour by Oliver Crook
April 8, 2025<April 8, 2025 Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch by Ciaran Short
8.1 April 4, 2025<April 4, 2025 Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’ by Danielle Holian
For the Love of Music
For the Love of Music
