July 9, 2024<July 9, 2024 Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss by Guest Writer
July 9, 2024<July 9, 2024 Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’ by Atwood Magazine Staff
July 3, 2024<July 3, 2024 This Just In: Lana Del Rey & Quavo Create a Diamond in the Rough With New Song “Tough” by Marc Maleri
July 2, 2024<July 2, 2024 Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on by Chloe Robinson
July 2, 2024<July 2, 2024 Concert Review: Lana Del Rey’s One Special Night at Fenway Park, Full of Heat, Rain, and Soaring Vocal Performances by Marc Maleri
July 1, 2024<July 1, 2024 Roundtable Discussion: A Review of The Marías’ ‘Submarine’ by Atwood Magazine Staff
June 28, 2024<June 28, 2024 Live Review: Taylor Swift’s The Eras Tour Basks in All Its Grandeur at London’s Wembley Stadium by Rachel Leong
June 28, 2024<June 28, 2024 Review: Queen of Jeans Journey Through Love & Heartache on ‘All Again’ by James Crowley
June 26, 2024<June 26, 2024 Review: Pond’s ‘Stung!’ Reveals Nick Albrook as the Psychedelic Rumpelstiltskin, Though He Can Spin Gold From Thin Air by Hamish Monk
June 25, 2024<June 25, 2024 “It’s a hard life, I can’t lie it’s been a rush”: easy life Return As hard life With Triumphant Single “tears” by Mitch Mosk
June 24, 2024<June 24, 2024 “I feel happier”: The Japanese House Is All Smiles As of Late :) by Brianna Corrine
June 20, 2024<June 20, 2024 Sentimental Jamboree: A Paul McCartney 82nd Birthday Celebration by Aidan Moyer
June 19, 2024<June 19, 2024 “I wanna make you my world”: Pale Waves Capture the Excitement of New Love on “Perfume” by Aaron Childree
June 19, 2024<June 19, 2024 Artist to Watch: Brigitte Calls Me Baby Are Unleashed in Dramatic, Existential Anthem “We Were Never Alive” by Mitch Mosk
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For the Love of Music
For the Love of Music
