May 14, 2025<May 14, 2025 Roundtable Discussion: A Review of Mumford & Sons’ ‘RUSHMERE’ by Atwood Magazine Staff
May 6, 2025<May 6, 2025 Roundtable Discussion: A Review of Lucy Dacus’ ‘Forever Is a Feeling’ by Atwood Magazine Staff
May 5, 2025<May 5, 2025 EP Review: Swervedriver Make a Beautiful and Moody Return with ‘The World’s Fair’ by Adam Davidson
April 30, 2025<April 30, 2025 Live Review: Lunar Vacation Steal the Show During Their Performance on Super Bowl Sunday by Miranda Urbanczyk
8.6 April 24, 2025<April 24, 2025 Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation by Danielle Holian
April 10, 2025<April 10, 2025 Roundtable Discussion: A Review of Japanese Breakfast’s ‘For Melancholy Brunettes (& sad women)’ by Atwood Magazine Staff
April 9, 2025<April 9, 2025 Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC by Jamie Kahn
April 9, 2025<April 9, 2025 Live Review: Strange Froots and Hua Li 化力 Bring Big Magic to Small Moments at Taverne Tour by Oliver Crook
April 8, 2025<April 8, 2025 Escaping the Organized Chaos of SXSW and Embracing the DIY Spirit of Satellite Ranch by Ciaran Short
8.1 April 4, 2025<April 4, 2025 Our Take: Selena Gomez and Benny Blanco Embrace Vulnerability in ‘I Said I Love You First’ by Danielle Holian
April 4, 2025<April 4, 2025 Review: Florist Ruminate on Bigger Questions and Explore Their Duality on ‘Jellywish’ by Kevin Krein
April 2, 2025<April 2, 2025 Roundtable Discussion: A Review of Sam Fender’s ‘People Watching’ by Atwood Magazine Staff
March 31, 2025<March 31, 2025 One to One: Yoko Ono Shines in New Doc on Ono-Lennons in NYC by Aidan Moyer
March 31, 2025<March 31, 2025 Review: Ariana Grande Journeys Through Heartbreak and Healing in ‘Eternal Sunshine (Deluxe)’ & Short Film by Danielle Holian
For the Love of Music
For the Love of Music
