July 31, 2024<July 31, 2024 Live Review: K-Pop Superstars ATEEZ Light Up Arlington’s Globe Life Field on the Texas Stop of Their World Tour by Freya Rinaldi
July 30, 2024<July 30, 2024 Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City by Hannah Burns
July 24, 2024<July 24, 2024 Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’ by Jake Fewx
July 23, 2024<July 23, 2024 Review: Recapping 2024’s Mad Cool Festival in All Its Splendor by Michael Greco
July 23, 2024<July 30, 2024 Track-by-Track: Clairo Holds Her Heart Out on Third Album ‘Charm’ by Marc Maleri
6.8 July 16, 2024<July 15, 2024 Our Take: Eminem Delivers Respectable Late-Career Effort on ‘The Death of Slim Shady’ by Josh Weiner
July 16, 2024<August 5, 2024 Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’ by Atwood Magazine Staff
July 16, 2024<July 15, 2024 Review: Instrumental Duo O. Forge a Raw, Visceral, & Enthralling Sound on Epic Debut ‘WeirdOs’ by Jake Fewx
8.9 July 9, 2024<July 9, 2024 A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home by Christine Buckley
July 9, 2024<July 9, 2024 Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss by Guest Writer
July 9, 2024<July 9, 2024 Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’ by Atwood Magazine Staff
July 3, 2024<July 3, 2024 This Just In: Lana Del Rey & Quavo Create a Diamond in the Rough With New Song “Tough” by Marc Maleri
July 2, 2024<July 2, 2024 Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on by Chloe Robinson
July 2, 2024<July 2, 2024 Concert Review: Lana Del Rey’s One Special Night at Fenway Park, Full of Heat, Rain, and Soaring Vocal Performances by Marc Maleri
July 1, 2024<July 1, 2024 Roundtable Discussion: A Review of The Marías’ ‘Submarine’ by Atwood Magazine Staff