February 13, 2024<February 20, 2024 “It’s about the fragility of life”: Brigitte Calls Me Baby’s Honest, Electric, & Vulnerable Debut EP ‘This House is Made of Corners’ by Mitch Mosk
February 8, 2024<February 8, 2024 “Nothing is permanent”: Inside Lily Seabird’s Dark, Dynamic, & Hopeful LP ‘Alas,’ a Record of Grief & Letting Go by Mitch Mosk
February 7, 2024<February 7, 2024 Track-by-Track: Brown Horse’s ‘Reservoir’ Is a Haunting, Intimate Alt-Country Reverie by Mitch Mosk
February 6, 2024<February 6, 2024 Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut by Mitch Mosk
February 2, 2024<February 2, 2024 “A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life by Mitch Mosk
February 1, 2024<February 1, 2024 Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed by Mitch Mosk
February 1, 2024<February 1, 2024 A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie by Mitch Mosk
January 31, 2024<January 31, 2024 Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album by Mitch Mosk
January 30, 2024<January 30, 2024 “Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album by Mitch Mosk
January 26, 2024<January 26, 2024 “Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’ by Mitch Mosk
January 26, 2024<January 26, 2024 Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album by Mitch Mosk
January 24, 2024<January 24, 2024 Track-by-Track: The Alt-Folk Charm of emmersonHALL’s Loving, Honest, & Impulsive Debut Album by Mitch Mosk
January 24, 2024<January 24, 2024 “Past, Present, Future”: Inside Observe the 93rd’s Ontological Alt-Rock Reckoning, ‘Eternalism’ by Mitch Mosk
January 24, 2024<January 24, 2024 “I wanted to make an album that sounded like life”: Inside coldbrew’s Jazzy Lo-Fi Seduction, ‘no time to waste’ by Mitch Mosk
January 18, 2024<January 18, 2024 “I want my therapist to think I’m cool”: Haley Blais Is Beautifully Exposed on ‘Wisecrack,’ Her Unapologetic & Unfiltered Sophomore LP by Mitch Mosk
For the Love of Music
For the Love of Music
