9.5 February 15, 2024<February 15, 2024 Our Take: Future Islands Get Vivid & Deep on (Perhaps) a Career-Best Album, ‘People Who Aren’t There Anymore’ by Beau Hayhoe
7.7 February 6, 2024<February 6, 2024 Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’ by Josh Weiner
8.6 December 19, 2023<December 19, 2023 Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’ by Josh Weiner
8.2 November 27, 2023<November 27, 2023 Our Take: A New André 3000 Era Dawns Splendidly on ‘New Blue Sun’ by Josh Weiner
8.3 November 16, 2023<November 16, 2023 Our Take: Blink-182 Return ‘One More Time…’ and Are Still As Welcome As Ever by Josh Weiner
8.9 November 9, 2023<November 9, 2023 Our Take: Spiritbox Keep It Heavy and Ferocious on ‘The Fear of Fear’ EP by Kendall Graham
8.4 October 11, 2023<October 11, 2023 Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’ by Sofia Sar
9.4 October 4, 2023<October 4, 2023 Our Take: The National Go Back to the Well with the Soul-Stirring ‘Laugh Track,’ Their Second LP of 2023 by Beau Hayhoe
7.7 October 4, 2023<October 3, 2023 Our Take: A New-Look Doja Cat Smothers All Her Demons on ‘Scarlet’ by Josh Weiner
7.9 October 2, 2023<October 2, 2023 Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human by Sofia Sar
7.6 September 27, 2023<September 25, 2023 Our Take: Greta Van Fleet’s ‘Starcatcher’ Embarks Upon the Hero’s Journey by Audrey Connelly
6 September 18, 2023<September 20, 2023 Our Take: Kim Petras’ ‘Problématique’ Is a Self-Aware Fan Favorite Finally Released by Julia Dzurillay
6.7 September 5, 2023<September 5, 2023 Our Take: London’s EASYFUN Shocks and Energizes With New ‘ELECTRIC EP’ by Julia Dzurillay
8.9 August 22, 2023<August 22, 2023 Our Take: The Metamorphosis of PVRIS and Frontwoman Lynn Gunn on ‘EVERGREEN’ by Marissa DeLeon
For the Love of Music
For the Love of Music
