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Atwood Magazine's Weekly Roundup | June 28, 2024
Columns, Features, Music, Weekly RoundupJune 28, 2024<July 1, 2024

Atwood Magazine’s Weekly Roundup: June 28, 2024

by Atwood Magazine Staff
Radiosoul - Alfie Templeman
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024

Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph

by Mitch Mosk
Scott Guild © Anna Powell Denton
Columns, Essays, Music, Pride MonthJune 28, 2024<June 28, 2024

“Queering the Genres”: A Pride Month Essay by Scott Guild

by Guest Writer
Taylor Swift brings The Eras Tour to London's Wembley Stadium © Kevin Mazur (Instagram)
Concerts, Music, ReviewsJune 28, 2024<June 28, 2024

Live Review: Taylor Swift’s The Eras Tour Basks in All Its Grandeur at London’s Wembley Stadium

by Rachel Leong
The Warning 'Keep Me Fed' © Danielle Ernst
Features, Interviews, MusicJune 28, 2024<June 29, 2024

Interview: The Warning Discuss New Album ‘Keep Me Fed’ and Its Themes of Excess & Overindulgence

by Kendall Graham
Queen of Jeans © Brooke Marsh
Music, ReviewsJune 28, 2024<June 28, 2024

Review: Queen of Jeans Journey Through Love & Heartache on ‘All Again’

by James Crowley
cehryl 'willow tree' © Gemma Harrad
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

“Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album

by Mitch Mosk
Lake Street Dive © Shervin Lainez
Features, Interviews, MusicJune 27, 2024<June 29, 2024

Interview: Lake Street Dive Discuss the Joyful Rebellion of ‘Good Together,’ Their Spirited & Spontaneous Eighth Album

by Nasim Elyasi
Stephen Sanchez 'Angel Face' © Luke Rogers
Features, Interviews, MusicJune 27, 2024<June 27, 2024

Interview: Stephen Sanchez Talks Fame, Fortune, & His New Songs Off ‘Angel Face (Club Deluxe)’

by Mitch Mosk
Zora - Sheppard
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 29, 2024

Track-by-Track: Sheppard Shine Like the Sun on ‘ZORA,’ Their Luminous, Euphoric, & Cinematic Fourth Album

by Mitch Mosk
Linn Koch-Emmery 'Borderline Iconic' © Jonas Carmhagen
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024

‘Borderline Iconic’: Linn Koch-Emmery Unpacks Her Feverish, Triumphant, & Aching Sophomore Album

by Mitch Mosk
Jensen McRae "Massachusetts" © Caity Krone
Columns, Music, Today's SongJune 26, 2024<June 26, 2024

Today’s Song: On “Massachusetts,” Jensen McRae Shows How the People Closest to Us Change Our World

by Aaron Childree
Alexander Biggs © 2024
Music, PremieresJune 26, 2024<June 26, 2024

Premiere: Basking in Alexander Biggs’ Dreamy, Beachy & Aching Reverie, “don’t mean a thing”

by Mitch Mosk
H3rizon (L to R): Tiara, Gabby, and Bernie © Nadia Razlan
Features, Interviews, MusicJune 26, 2024<June 26, 2024

“It’s only the beginning”: H3rizon on Representation, Culture, & Their Latest Single, “Soul Ties (Don’t Give It Up)”

by Rachel Leong
Stung! - Pond
Music, ReviewsJune 26, 2024<June 26, 2024

Review: Pond’s ‘Stung!’ Reveals Nick Albrook as the Psychedelic Rumpelstiltskin, Though He Can Spin Gold From Thin Air

by Hamish Monk
Posts pagination
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Brand New

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment

:: discover something new ::

Recent Posts

  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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