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Under The Rug © 2024
Music, Music Videos, PremieresJune 13, 2024<June 13, 2024

Video Premiere: Austin’s Under the Rug Channel Sylvia Plath’s Spirit in “mad girl’s love song”

by Mitch Mosk
Sunnsetter © Jules Mancuso
Music, PremieresJune 12, 2024<June 12, 2024

“Never wanna go back”: Sunnsetter’s “Try Again” Is an Aching Alt-Rock Anthem of Perseverance, Guts, & Pursuing Your Dreams

by Mitch Mosk
Dex Green © Hannah Hall
Music, PremieresJune 12, 2024<June 12, 2024

“Here she comes, there she goes”: Dwelling in Dex Green’s Dreamy, Soul-Soaked Meditation on Love

by Mitch Mosk
Axel Flóvent © Magnus Andersen
Features, Interviews, Music, Track-by-TrackJune 12, 2024<June 12, 2024

Track-by-Track: Axel Flóvent Discusses His Creative Process & Masterful, Introspective New Album ‘Away From This Dream’

by Aaron Childree
A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

by Marissa DeLeon
Azu Yeché © Bo Morgan
Music, Music Videos, PremieresJune 12, 2024<June 12, 2024

“All our plans up in flames”: Azu Yeché’s Heavy Heart Aches in “Leave Me Now,” a Beautiful Ballad of Raw Soul & Unrequited Love

by Mitch Mosk
Lawrence Matthews © Ahmad George
Columns, Music, This Just In, Today's SongJune 11, 2024<June 12, 2024

“These here is dark times”: Lawrence Matthews Honors & Unpacks the Black Experience in “Once More & Again (Our Mourning)” ft. Idi X Teco

by Mitch Mosk
Jontavious Willis © The Jontavious Willis Team
Music, PremieresJune 11, 2024<June 11, 2024

Premiere: Jontavious Willis Invites You to Embrace the Blues & “Keep Your Worries On the Dance Floor”

by Mitch Mosk
dog eat dog food world - Niko B
Debut, Music, ReviewsJune 11, 2024<June 11, 2024

‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics

by Liv Goodbody
Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

by Aidan Moyer
Chappell Roan © N Bradley
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival

by Julia Dzurillay
Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

by Mitch Mosk
HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

by Atwood Magazine Staff
Nicky Youre © 2024
Features, Interviews, MusicJune 10, 2024<June 11, 2024

“Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion

by Mitch Mosk
Sabrina Carpenter © Paigge Warton, Gov Ball 2024
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Sabrina Carpenter “Please Please Pleases” Gov Ball With the First Live Performance of Her Single

by Julia Dzurillay
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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