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Atwood Magazine's Weekly Roundup | April 12, 2024
Columns, Features, Music, Weekly RoundupApril 12, 2024<April 17, 2024

Atwood Magazine’s Weekly Roundup: April 12, 2024

by Atwood Magazine Staff
Carly Pearce © Allister Ann
Columns, Music, Today's SongApril 12, 2024<April 12, 2024

Today’s Song: Carly Pearce’s “my place” Is a Stirring Portrait of Heartache & Yearning Off Upcoming Album ‘hummingbird’

by Emily Frances Algar
Humbird © Juliet Farmer
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 12, 2024

“We could be a break in the chain”: Humbird’s ‘Right On’ Is an Honest, Playful, & Weathered Midwestern Reverie

by Mitch Mosk
Hannah Frances © Gabrielle Greenberg
Features, Interviews, MusicApril 12, 2024<April 12, 2024

Interview: Hannah Frances on Grief, Sheep, & Bending Genres With Her New Album ‘Keeper of the Shepherd’

by Guest Writer
fka twigs © 2019
Columns, Music, Nostalgia TracksApril 12, 2024<April 12, 2024

Nostalgia Tracks: FKA twigs Stirs Souls with “Mirrored Heart”

by Stephanie Bento
Goose © Geoff Tischman
Concerts, Music, ReviewsApril 12, 2024<April 12, 2024

Live: Goose Celebrate Solar Eclipse by Playing ‘Moon Cabin’ in Its Entirety

by Max Kalnitz
Heron - Alice Merton
Features, Interviews, Music, Track-by-TrackApril 12, 2024<April 14, 2024

“I want to try everything all at once”: Alice Merton Leans into Change on ‘Heron,’ a Radiant Record of Inner Transformation

by Mitch Mosk
Ginger Winn © Alyssa Mancini
Columns, Debut, Music, Today's SongApril 11, 2024<May 1, 2024

“One day I made a wish…”: Ginger Winn Basks in Sweet Dreams on Debut Single “Super 8”

by Mitch Mosk
Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

by Emma Rayder
The Ballroom Thieves © Meredith Brockington
Features, Interviews, Music, Premieres, Track-by-TrackApril 11, 2024<April 11, 2024

“My joy breaks windows”: The Ballroom Thieves Shine Bright on ‘Sundust,’ a Tender Album of Love, Healing, & the Human Experience

by Mitch Mosk
Aaron West and The Roaring Twenties © Mitchell Wojcik
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Spitting in the Wind: Dan Campbell Talks Aaron West & The Roaring Twenties’ Third Act, ‘In Lieu of Flowers’

by James Crowley
Dom Malin © Taylor Olson
Music, PremieresApril 11, 2024<April 11, 2024

“Out the darkness, a burning flame”: Midlands Singer/Songwriter Dom Malin Weathers the Storm in “Hurricane,” a Song of Love & Perseverance

by Mitch Mosk
Hope Tala © Erica Devin Snyder
Music, Reviews, This Just InApril 11, 2024<April 11, 2024

“Opening my heart ’til the thing is messy”: Hope Tala’s “I Can’t Even Cry” Aches With Love’s Pain & Shines With Its Beauty

by Mitch Mosk
Kacey Musgraves 'Deeper Well' © Kelly Christine Sutton 6.4
Music, Our Take, ReviewsApril 10, 2024<April 10, 2024

Our Take: “Deeper Well” Is a Too-Tranquil Comedown From Kacey Musgraves’ Cosmic Country

by Sam Franzini
Glass Animals "Creatures in Heaven" © Lillie Eiger
Music, Reviews, This Just InApril 10, 2024<April 10, 2024

“What do you think about when you think about love?”: Glass Animals Are Here, in the Moment, on “Creatures in Heaven”

by Mitch Mosk
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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