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ANT ENOCH & MORETON © Xinger Xanger
Debut, Music, Music Videos, PremieresMarch 13, 2024<March 15, 2024

“Everything that makes you feel, makes me feel”: Intimacy’s Intensity Comes to Life on “Tunnel Road,” Ant Enoch & Moreton’s Smoldering Love Song

by Mitch Mosk
Chaz Cardigan © courtesy of the artist
Features, Interviews, Music, News, Pop Matters, TravelMarch 13, 2024<March 13, 2024

Interview: Chaz Cardigan’s Conceptual ‘A Year in Glassland’ Is a Selfless Telling of His Story… By Him, for Me & You

by Noah Wade
Julien Chang © Tommy Waldo
Editorials, MusicMarch 13, 2024<March 13, 2024

“Prepositions”: An Essay by Julien Chang

by Guest Writer
Maggie Lindemann 'HEADSPLIT' © Samantha Simmons
Features, Interviews, MusicMarch 13, 2024<March 13, 2024

“A Different Side of Me”: Maggie Lindemann Knows No Bounds on Exploratory ‘HEADSPLIT’ EP

by Aidan Mega
Konradsen © Marthe Thu
Features, Interviews, Music, Track-by-TrackMarch 12, 2024<March 12, 2024

Track-by-Track: Konradsen’s Sophomore LP ‘Michael’s Book on Bears’ Is a Cathartic, Shiver-Inducing Nordic Dreamscape

by Mitch Mosk
Abby Holliday © Samuel Greenhill
Columns, Music, Today's SongMarch 12, 2024<March 12, 2024

“Don’t turn out the light when I’m in the room”: The Infinite Ache of “Immortal,” Abby Holliday’s Gut-Wrenching Love Song

by Mitch Mosk
JEMS © Jayden Becker
Editorials, Women's History MonthMarch 12, 2024<March 12, 2024

“Bridging Music’s Gender Gap”: An Essay by JEMS for Women’s History Month

by Guest Writer
Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

by Jaclyn Kelly
Feliz Final © Paula Tudela
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Track-by-Track: Exploring the Haziness and Intensity of ‘Nostalgia’ With Feliz Final’s Debut EP

by Frankie Rose
Asha Imuno 'PINS & NEEDLES' © Nani Garcia
Debut, Features, Interviews, MusicMarch 11, 2024<March 11, 2024

Interview: Asha Imuno Embraces the ‘PINS & NEEDLES’ of Life in His Debut Album

by Minna Abdel-Gawad
The Marías "Run Your Mouth" © Bethany Vargas
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024

Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth”

by Olivia Martinez
Ducks Ltd. © Dylan Taylor
Features, Interviews, MusicMarch 7, 2024<February 27, 2024

Taking a More Outward Approach, Ducks Ltd. Showcase Their Sonic Proficiency on Second LP ‘Harm’s Way’

by Kevin Cost
MIKE © Ari Marcopoulos
Columns, Music, Today's SongMarch 6, 2024<March 6, 2024

Today’s Song: MIKE & Tony Seltzer’s Collaboration on “R&B” Is a Breath of Fresh Air for Underground Hip-Hop

by Jake Fewx
shrooms - Coral Moons © Justin Bartlett
Music, Music Videos, PremieresMarch 5, 2024<February 26, 2024

Premiere: On “shrooms,” Coral Moons Trip Through a Sunny, Hazy Weekend With Friends

by Kendall Graham
Loving © Zoe Alma
Features, Interviews, MusicMarch 4, 2024<February 27, 2024

“Cuddle Rock”: Loving’s ‘Any Light’ Is Existentially Uncertain, Yet Mysteriously Optimistic

by Miles Campbell
Posts pagination
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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