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WeirdOs - O.
Music, ReviewsJuly 16, 2024<July 15, 2024

Review: Instrumental Duo O. Forge a Raw, Visceral, & Enthralling Sound on Epic Debut ‘WeirdOs’

by Jake Fewx
Caleb Hearn © Tyler Krippaehne
Debut, Features, Interviews, MusicJuly 15, 2024<March 2, 2025

Interview: Caleb Hearn Discusses Finding His Sound, Navigating TikTok, & Debut Album ‘Left on McKinney’

by Aaron Childree
Soccer Mommy © Anna Pollack
Columns, Music, Today's SongJuly 15, 2024<July 10, 2024

Today’s Song: Soccer Mommy Contemplates the Intricacies of Identity on the Beautifully Somber “Lost”

by Jake Fewx
Animal Collective "Defeat" © Hisham Akira Bharoocha
Columns, Music, Today's SongJuly 14, 2024<July 10, 2024

Traversing the Labyrinth of Animal Collective’s “Defeat,” and Seeing How Much Has Changed By the End

by Frederick Bloy
Cults © Shervin Lainez
Columns, Music, Today's SongJuly 13, 2024<July 13, 2024

Today’s Song: NYC’s Cults Strip Back to Simplicity With “Crybaby” Off New Album ‘To the Ghosts’

by Marc Maleri
Caitlyn Smith © Rob Morgan
Columns, Music, Today's SongJuly 12, 2024<July 10, 2024

Today’s Song: Caitlyn Smith Lays Bare Her Fears in “Mother of Three”

by Emily Frances Algar
mercury's Maddie Kerr © Josef Lloyd
Artist to Watch, Features, Interviews, MusicJuly 11, 2024<July 11, 2024

“A voyage of grief, pain, and loss”: mercury’s Maddie Kerr Talks Songwriting, Raw Emotion, & ‘Together We Are One, You and I’

by Mitch Mosk
Orion Sun "Already Gone" © Linus Johnson
Columns, Music, Today's SongJuly 10, 2024<July 10, 2024

“It’s a mile to the front door”: Orion Sun Dwells in Love’s Wreckage on “Already Gone,” a Song of Heartache, Grief, & Acceptance

by Mitch Mosk
Karley Scott Collins © Matthew Berinato
Features, Interviews, MusicJuly 10, 2024<July 10, 2024

“You always wanted me to write one”: Karley Scott Collins Discusses Her Heavy Metal Influenced EP, ‘Write One’

by Emily Frances Algar
Petty Country: A Country Music Celebration of Tom Petty 8.9
Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024

A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home

by Christine Buckley
Running Out of Time - Ashe
Features, Interviews, MusicJuly 9, 2024<July 24, 2024

“I’m not sure if I’m in love, but it feels like freedom”: Ashe Talks Independence, Empowerment, & Her Own Liberation With “Running Out of Time”

by Mitch Mosk
Billy Sharp © 2024
Columns, Debut, Music, Today's SongJuly 9, 2024<July 9, 2024

Today’s Song: The Sweet Seduction of Billy Sharp’s Dreamy Debut Single “Kitchen Disco Queen”

by Mitch Mosk
Maia Kamil © courtesy of the artist
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024

Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss

by Guest Writer
The Secret of Us - Gracie Abrams
Features, Music, Reviews, RoundtableJuly 9, 2024<July 9, 2024

Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’

by Atwood Magazine Staff
Atwood Magazine's Weekly Roundup | July 8, 2024
Columns, Features, Music, Weekly RoundupJuly 8, 2024<July 8, 2024

Atwood Magazine’s Weekly Roundup: July 8, 2024

by Atwood Magazine Staff
Posts pagination
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Brand New

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

:: discover something new ::

Recent Posts

  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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