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Corella 'Once Upon a Weekend' © Jake Haseldine
Debut, Features, Interviews, Music, Track-by-TrackMay 9, 2024<May 9, 2024

Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind

by Mitch Mosk
Dua Lipa 'Radical Optimism' © Tyrone Lebon
Music, ReviewsMay 9, 2024<May 9, 2024

Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’

by Lauren Turner
Hooked Like Helen © Rat Majesty
Columns, Essays, Mental Health Awareness MonthMay 9, 2024<November 14, 2024

From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music

by Guest Writer
HELLCAT - Kitty Coen
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

by Mitch Mosk
h. pruz © Felix Walworth
Debut, Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth

by Mitch Mosk
Quiet Canyons © Casey Curry
Features, Interviews, Music, Track-by-TrackMay 8, 2024<May 8, 2024

“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’

by Mitch Mosk
English Teacher © Denmarc Creary
Debut, Features, Interviews, MusicMay 8, 2024<May 8, 2024

Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’

by Oliver Crook
Torri Weidinger and Hannah Hill at STFU Night 1 © Noah Berghammer
Concerts, Music, ReviewsMay 8, 2024<May 8, 2024

STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level

by Guest Writer
All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

by Emma Rayder
Martí © 2024
Columns, Music, Today's SongMay 7, 2024<May 7, 2024

Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”

by Joe Beer
Britti © Jim Herrington
Debut, Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut

by Mitch Mosk
snarls © Sumner Howells
Features, Interviews, Music, Track-by-TrackMay 7, 2024<May 7, 2024

“A damn love letter”: Snarls’ Sophomore LP ‘With Love,’ Basks in the Heat of Intimate Connection, Raw Emotion & Alt-Rock Energy

by Mitch Mosk
Microwave 'Let's Start Degeneracy' © Cameron Flaisch
Features, Interviews, MusicMay 7, 2024<May 7, 2024

Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’

by James Crowley
Ethel © Victor Jacques Sebb
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

‘The Burden of Fever Dreams’: Parisian Artist Ethel Dwells in Hazy, Dreamy Depths on Seductive & Smoldering Debut EP

by Mitch Mosk
'somebody's daughter' by néomí © Liz van den Akker
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2024<May 6, 2024

“Don’t forget I’m still somebody’s daughter”: néomí’s Breathtaking Debut Album Shines With Her Real, Raw, & Unfiltered Humanity

by Mitch Mosk
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Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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