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Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

by Michael Greco
Under The Rug © 2024
Music, Music Videos, PremieresJune 13, 2024<June 13, 2024

Video Premiere: Austin’s Under the Rug Channel Sylvia Plath’s Spirit in “mad girl’s love song”

by Mitch Mosk
Sunnsetter © Jules Mancuso
Music, PremieresJune 12, 2024<June 12, 2024

“Never wanna go back”: Sunnsetter’s “Try Again” Is an Aching Alt-Rock Anthem of Perseverance, Guts, & Pursuing Your Dreams

by Mitch Mosk
Dex Green © Hannah Hall
Music, PremieresJune 12, 2024<June 12, 2024

“Here she comes, there she goes”: Dwelling in Dex Green’s Dreamy, Soul-Soaked Meditation on Love

by Mitch Mosk
Axel Flóvent © Magnus Andersen
Features, Interviews, Music, Track-by-TrackJune 12, 2024<June 12, 2024

Track-by-Track: Axel Flóvent Discusses His Creative Process & Masterful, Introspective New Album ‘Away From This Dream’

by Aaron Childree
A Human Home - Lucy Kruger & The Lost Boys
Music, ReviewsJune 12, 2024<June 12, 2024

Review: Lucy Kruger & The Lost Boys Bring Intimacy into Isolation on ‘A Human Home’

by Marissa DeLeon
Azu Yeché © Bo Morgan
Music, Music Videos, PremieresJune 12, 2024<June 12, 2024

“All our plans up in flames”: Azu Yeché’s Heavy Heart Aches in “Leave Me Now,” a Beautiful Ballad of Raw Soul & Unrequited Love

by Mitch Mosk
Lawrence Matthews © Ahmad George
Columns, Music, This Just In, Today's SongJune 11, 2024<June 12, 2024

“These here is dark times”: Lawrence Matthews Honors & Unpacks the Black Experience in “Once More & Again (Our Mourning)” ft. Idi X Teco

by Mitch Mosk
Jontavious Willis © The Jontavious Willis Team
Music, PremieresJune 11, 2024<June 11, 2024

Premiere: Jontavious Willis Invites You to Embrace the Blues & “Keep Your Worries On the Dance Floor”

by Mitch Mosk
dog eat dog food world - Niko B
Debut, Music, ReviewsJune 11, 2024<June 11, 2024

‘dog eat dog food world’: Niko B’s Vibrant Debut Album Playfully Chronicles Small-Town Antics

by Liv Goodbody
Train's Pat Monahan © Aidan Moyer
Features, Interviews, MusicJune 11, 2024<June 11, 2024

Something ‘Bout it Feels like Home: An Interview with Pat Monahan of Train

by Aidan Moyer
Chappell Roan © N Bradley
Concerts, Festival, Music, ReviewsJune 10, 2024<June 11, 2024

Review: Chappell Roan Dons Statue of Liberty Drag at NYC’s Governors Ball Music Festival

by Julia Dzurillay
Bea and her Business 'Me vs. Me' © Lewis Vorn
Features, Interviews, Music, Track-by-TrackJune 10, 2024<January 15, 2025

Track-by-Track: London’s Bea and Her Business Unpacks Her Unapologetic & Self-Deprecating ‘Me vs. Me’ EP

by Mitch Mosk
HIT ME HARD AND SOFT - Billie Eilish
Features, Music, Reviews, RoundtableJune 10, 2024<June 29, 2024

Roundtable Discussion: A Review of Billie Eilish’s ‘HIT ME HARD AND SOFT’

by Atwood Magazine Staff
Nicky Youre © 2024
Features, Interviews, MusicJune 10, 2024<June 11, 2024

“Sweet drenched in bitter”: Nicky Youre Talks Musical Evolution and New Single “Tease Me,” a Song of Hot Sweat & Raw Passion

by Mitch Mosk
Posts pagination
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Brand New

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington

:: discover something new ::

Recent Posts

  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
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© Atwood Magazine 2024 For the Love of Music
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