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Jade Bird "Burn the Hard Drive" © Aries Moross
Features, Interviews, MusicFebruary 7, 2024<February 7, 2024

“What’s Beginning Is a Creative Era With My Light Back”: Jade Bird on New Mura Masa Collab “Burn the Hard Drive” & a Restored Sense of Self

by Kendall Graham
Ride © Cal McIntyre
Columns, Music, Today's SongFebruary 6, 2024<February 6, 2024

Today’s Song: Shoegaze Legends Ride Find New Light in the Everyday Haze With “Peace Sign”

by Kevin Cost
Rec Hall © Charlie Park
Debut, Features, Interviews, MusicFebruary 6, 2024<February 6, 2024

“Raw emotion pins me to the ground”: Southern California’s Rec Hall Debut Their Sun-Kissed Indie Rock With ‘Localism’ EP

by Mitch Mosk
Sunny Reyne © Kadi Jatta
Debut, Features, Interviews, Music, Track-by-TrackFebruary 6, 2024<February 6, 2024

Track-by-Track: Melbourne’s Sunny Reyne Awakens Our Spirits on ‘I’ve Been Sleeping Too Long,’ Her Soul & Jazz-Drenched Debut

by Mitch Mosk
Saviors - Green Day 7.7
Music, Our Take, ReviewsFebruary 6, 2024<February 6, 2024

Our Take: Green Day Throw a Big Birthday Bash for Two of Their Classics on ‘Saviors’

by Josh Weiner
DijahSB © Vonny Lorde
Features, Interviews, MusicFebruary 5, 2024<February 5, 2024

Interview: Rapper DijahSB on Third Album ‘The Flower That Knew,’ Reflection & Growth, Finding Clarity, & Trusting the Process

by Kendall Graham
Talk Show © Ashley Rommelrath
Columns, Music, Today's SongFebruary 5, 2024<February 5, 2024

Today’s Song: Talk Show’s “Red/White” Is an Urgent, Unrelenting Post-Punk Fever Dream

by Mitch Mosk
sombr's Shane Boose © Emily Harris
Concerts, Music, ReviewsFebruary 5, 2024<February 5, 2024

Live: sombr Brings His Indie Rock Sound Home to Brooklyn’s Baby’s All Right

by Blake McMillan
U2's 'Achtung Baby' released in 1991
Columns, Music, Music & CitiesFebruary 5, 2024<March 19, 2024

Music & Cities: U2’s ‘Achtung Baby’ Resonates from New York to México

by David Buyze
Prelude to Ecstasy - The Last Dinner Party
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024

Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music

by Olivia Martinez
Dimitra Gurduiala
Columns, Meet Our WritersFebruary 4, 2024<February 5, 2024

Meet Our Writers: Italy’s Dimitra Gurduiala!

by Dimitra Gurduiala
Too Percent Milk
Columns, Music, Today's SongFebruary 4, 2024<February 4, 2024

Today’s Song: In Too Percent Milk’s Devastating “Intangible,” the Darkest of Intrusive Thoughts Win

by Connor Muldowney
IDLES © Daniel Topete
Columns, Music, Today's SongFebruary 3, 2024<February 3, 2024

Today’s Song: IDLES Break Free from the Reins on “Gift Horse”

by Aidan Mega
Atwood Magazine's Weekly Roundup | February 2, 2024
Columns, Features, Music, Weekly RoundupFebruary 2, 2024<February 3, 2024

Atwood Magazine’s Weekly Roundup: February 2, 2024

by Atwood Magazine Staff
Emily Wurramara © Claudia Sangiorgi Dalimore
Columns, Music, Today's SongFebruary 2, 2024<April 4, 2024

“A picture of a soul seeking freedom”: Emily Wurramara’s Mystical “Magic Woman Dancing” Is an Empowered & Impassioned Liberation

by Mitch Mosk
Posts pagination
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Brand New

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

:: discover something new ::

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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