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Hank Heaven © Danica Robinson
Columns, Music, Today's SongApril 18, 2024<April 18, 2024

“Shining a light on the shadow self”: Hank Heaven’s “Plan 2” Preaches Empathy With a Tender Indie Twang

by Mitch Mosk
Great Good Fine Ok © Shervin Lainez
Interviews, MusicApril 18, 2024<April 20, 2024

Interview: Jon Sandler & Luke Moellman Are in a State of Existence That’s Great Good Fine Ok With Them

by Blake McMillan
Essence Martins © Lorraine Khamali
Debut, Features, Interviews, Music, Music VideosApril 18, 2024<April 18, 2024

‘Deer in the Headlights’: Essence Martins’ Inner Light Shines on Her Introspective, Ethereal, & Thought-Provoking Debut EP

by Mitch Mosk
Cat Ryan © Will Copley
Debut, Features, Interviews, Music, Track-by-TrackApril 18, 2024<April 18, 2024

Track-by-Track: Cat Ryan Debut With a Sweet Heat in ‘King of the World,’ Their Fun & Frisky Debut EP

by Mitch Mosk
Stephanie Lambring © Alysse Gafkjen
Music, Music Videos, PremieresApril 18, 2024<April 18, 2024

Premiere: Stephanie Lambring’s Haunting “Cover Girl” Reckons with Dysmorphia, Authenticity, & the Pressures of Social Media

by Mitch Mosk
Kramies "Social Light" © 2024
Music, PremieresApril 17, 2024<April 17, 2024

“Breaking up the airwaves, on and on I go”: The Enchanting Warmth, Weight, & Wonder of Kramies’ “Social Light”

by Mitch Mosk
Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Columns, Music, Today's SongApril 17, 2024<April 17, 2024

“A thug praying for some change”: Chicago’s Juice Mazelee Charts His Turbulent Coming-of-Age on “WISH N A PRAYER”

by Mitch Mosk
Leo © Claire Giuffre
Debut, Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

‘Please Leave Quietly’: Melbourne’s Leo Channels Trauma & Angst into Breathtaking Beauty on Rip-Roaring Debut EP

by Mitch Mosk
Brother Bird © Chris Bauer
Features, Interviews, Music, Track-by-TrackApril 16, 2024<April 16, 2024

“I want it to feel like a hug”: The Ache, Catharsis, & Clarity of brother bird’s ‘another year’

by Mitch Mosk
Akira Galaxy © Erica Snyder
Interviews, MusicApril 16, 2024<April 16, 2024

“Intention through performance”: Celestial Sounds from Seattle’s Akira Galaxy

by Marissa DeLeon
Mark Clennon © courtesy of the artist
MusicApril 16, 2024<April 16, 2024

Interview: Meet Mark Clennon, the Impressive Talent Behind “I Don’t Know Who You Are”

by Josh Weiner
Amie Blu © Alastair McVeigh
Columns, Music, Today's SongApril 16, 2024<April 15, 2024

“Waiting just to wait out again”: Amie Blu Is Spellbinding on Uplifting Single “pretty”

by Aidan Mega
Telescreens © Kylie Bly
Music, Reviews, This Just InApril 15, 2024<April 15, 2024

“A wonderful defiance”: Telescreens’ “Burns” Delivers Fresh, Raw Vulnerability from the New York City Rock n’ Roll Trailblazers

by Noah Berghammer
Older - Lizzy McAlpine
Features, Music, Reviews, RoundtableApril 15, 2024<June 29, 2024

Roundtable Discussion: A Review of Lizzy McAlpine’s ‘Older’

by Atwood Magazine Staff
Dust, Pt. 1 - Say Lou Lou
Columns, Music, Today's SongApril 15, 2024<April 15, 2024

“We’re bringing sexy back”: Say Lou Lou Explore Intimate, Unfulfilled Desires in “Dust,” a Hot & Sweaty Alt-Pop Seduction

by Mitch Mosk
Posts pagination
1 … 124 125 126 127 128 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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