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Taylor Sanders © Barbara Potter
Essays, Music, Women's History MonthMarch 29, 2024<April 1, 2024

“Finding Harmony: My Journey as a New Mother in the Music Industry”: An Essay by Taylor Sanders for Women’s History Month

by Guest Writer
Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

by Hannah Burns
Royel Otis © Alex Wall
Debut, Features, Interviews, MusicMarch 28, 2024<March 28, 2024

Stripping Songs Down to Their Simplest Parts: A Conversation with Royel Otis

by Claire Meyer
Temme Scott © Caity Krone
Interviews, Music, Music Videos, PremieresMarch 28, 2024<March 28, 2024

“What if I don’t love you in the morning?”: Temme Scott Premieres Her Beautifully Aching Anti-Love Song, “Softly”

by Mitch Mosk
Brett Altman © Hayley Altman
Music, PremieresMarch 28, 2024<March 28, 2024

“I want you to see me as I am”: The Heat, Heartache, & Dark Pop Passion of Brett Altman’s “Eye Masking”

by Mitch Mosk
Cinders © Sarah Fender
Music, PremieresMarch 28, 2024<March 28, 2024

“I feel it in my blood”: Salt Lake City’s Cinders Fuel the Fire Within on “Don’t Wait Up”

by Mitch Mosk
King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

by Emma Rayder
Fright Years © Rory Barnes
Columns, Music, Today's SongMarch 27, 2024<March 27, 2024

“When I see you, I’m all blue”: Edinburgh’s Fright Years Embrace the End in “Blue,” a Messy, Sweaty Breakup Anthem

by Mitch Mosk
EEVAH © Simon Walker
Music, PremieresMarch 27, 2024<March 28, 2024

“Why don’t you say what you feel?”: Leeds’ EEVAH Erupt With a Fiery Passion in “Heartbeat Is Missing,” a Cathartic In-Your-Face Anthem

by Mitch Mosk
Angie McMahon © Ben Niesen
A Casual Ramble, Columns, Concerts, MusicMarch 27, 2024<March 27, 2024

A Casual Ramble: Trusting in the Universe With Angie McMahon, Live at Portland’s Star Theater

by Ben Niesen
Olie Beckett © courtesy of the artist
Debut, Interviews, MusicMarch 27, 2024<March 27, 2024

“I Want Sparks to Fly”: Young Artist Olie Beckett Aims to Transform the World Around Him Through Music

by Grace Holtzclaw
The Snuts 'Millennials' © Gary Williamson
Features, Interviews, MusicMarch 27, 2024<March 27, 2024

“To Convey and Spread Some Positivity”: Joe McGillveray of The Snuts Speaks on the Lessons, Light, & Life of ‘Millennials’

by Isabella Le
Jodie Nicholson © Ellen Dixon
Music, PremieresMarch 27, 2024<March 27, 2024

“What if I lose sight of you?”: Jodie Nicholson Dwells in Haunting Hypotheticals on “What If I”

by Mitch Mosk
Coma - Hayden Everett © Joey Wasilewski
Columns, Music, Today's SongMarch 26, 2024<March 26, 2024

“I miss the sky”: Hayden Everett Bares His Aching Soul in “Coma,” a Breathtaking, Broken-Hearted Reverie

by Mitch Mosk
Vacations © Charlie Hardy
Features, Interviews, MusicMarch 26, 2024<March 26, 2024

Interview: Vacations’ ‘No Place Like Home’ Is a Roadmap for Finding Inner Peace

by Miles Campbell
Posts pagination
1 … 129 130 131 132 133 … 726

Brand New

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall”
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour!

:: discover something new ::

Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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