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Keyon Harrold © Kwafu Alston
Features, Interviews, MusicJanuary 18, 2024<January 18, 2024

“Inspired by the Vibrations”: Keyon Harrold Creates Paradise on ‘Foreverland,’ a Triumphant Fusion of Jazz & Hip-Hop

by Josh Weiner
Joan & The Giants © 2024
Columns, Music, Today's SongJanuary 18, 2024<January 18, 2024

Joan & The Giants’ Love-Soaked “Good Time” Is a Sweet Surrender to the Moment

by Mitch Mosk
Lizzie Esau © Storm Hudspith Walker
Columns, Music, Today's SongJanuary 17, 2024<January 17, 2024

Today’s Song: Newcastle’s Lizzie Esau Churns Through an Anxious Mind on “Impossible + Strange”

by Mitch Mosk
deary EP - deary
Debut, Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

“deary, not dreary”: London Duo deary Unleash Ethereal Dream Pop Wonder on Debut EP

by Mitch Mosk
A Beacon School © Matthew Marino
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: In ‘yoyo,’ A Beacon School Weaves Gauzy Dream Pop & Shiver-Inducing Shoegaze into a Seductive Sonic Haze

by Mitch Mosk
Dylan LeBlanc © Abraham Rowe
Features, Interviews, Music, Track-by-TrackJanuary 17, 2024<January 17, 2024

Track-by-Track: Dylan LeBlanc Unpacks His Own Humanity in ‘Coyote,’ a Cinematic, Cerebral, & Thrilling Concept Album

by Mitch Mosk
Ducks Ltd. © Colin Medley
Columns, Music, Today's SongJanuary 16, 2024<January 16, 2024

Today’s Song: Toronto’s Ducks Ltd. Hitch a Rollicking, Runaway “Train Full of Gasoline”

by Mitch Mosk
Adrianne Lenker © Germaine Dunes
Columns, Music, Today's SongJanuary 15, 2024<January 13, 2024

Today’s Song: Adrianne Lenker Professes Desolation, Despair, & Heartbreak on Agonizing New Single “Ruined”

by Jake Fewx
Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

by Hannah Burns
Dama Blake © 2024
Columns, Debut, Music, Today's SongJanuary 13, 2024<January 13, 2024

Today’s Song: Jessica Harper’s Sinister Alter Ego Dama Blake Takes Full Flight on “Witch Hunt”

by Josh Weiner
Atwood Magazine's Weekly Roundup | January 12, 2024
Columns, Features, Music, Weekly RoundupJanuary 12, 2024<January 16, 2024

Atwood Magazine’s Weekly Roundup: January 12, 2024

by Atwood Magazine Staff
Roanoke © John Florentino
Artist to Watch, Columns, Music, Today's SongJanuary 12, 2024<January 12, 2024

Artist to Watch: Nashville’s Roanoke Come “Back Again” With Spirited Passion & Charming Nostalgia

by Mitch Mosk
Nicotine Dolls © Hannah Greve
Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Feature: Nicotine Dolls’ ‘How Do You Love Me’ EP is the Soundtrack to a Soul Unleashed & Exposed

by Mitch Mosk
Wonder, Won't You? - Harrison Storm
Debut, Features, Interviews, Music, Track-by-TrackJanuary 12, 2024<January 12, 2024

Track-by-Track: Harrison Storm’s Debut LP ‘Wonder, Won’t You?’ Is an Intimate Indie Folk Diary of Human Experience

by Mitch Mosk
BEL © SJ Spreng
Features, Interviews, Music, Track-by-TrackJanuary 11, 2024<January 11, 2024

“Honest, Raw, & Reflective”: Bel’s ‘Read the Room’ EP Is an Impassioned, Empowered Eruption

by Mitch Mosk
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Brand New

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

:: discover something new ::

Recent Posts

  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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