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Vinnie Paolizzi © Kurt Ozan
Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024

Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP

by Lauren Hicks
Corridors - Donna Lewis © 2024
Columns, Music, Today's SongJanuary 5, 2024<January 4, 2024

Today’s Song: Donna Lewis Unveils Her Radiant & Remarkable “Corridors” With Holmes Ives

by Chloe Robinson
Atwood Magazine's 2023 Albums of the Year
Features, Lists, MusicJanuary 3, 2024<January 4, 2024

Atwood Magazine’s 2023 Albums of the Year

by Atwood Magazine Staff
Jack Harlow © Cian Moore
Columns, Music, Today's SongJanuary 3, 2024<January 3, 2024

Today’s Song: Jack Harlow’s “Lovin on Me” Has Roots Tied Down in Detroit

by Guest Writer
Another Christmas Album - Amerigo Gazaway
Interviews, Mistletones, MusicDecember 22, 2023<December 22, 2023

Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure

by Mitch Mosk
Atwood Magazine's 2023 Songs of the Year
Features, Lists, MusicDecember 22, 2023<January 9, 2024

Atwood Magazine’s 2023 Songs of the Year

by Atwood Magazine Staff
Atwood Magazine's Mistletones 2023, Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 21, 2023<December 21, 2023

Atwood Magazine Presents Mistletones: 2023’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Atwood Magazine's Top Artist Discoveries of 2023
Features, Lists, MusicDecember 21, 2023<January 4, 2024

Atwood Magazine’s Top Artist Discoveries of 2023

by Atwood Magazine Staff
TRISHES © Walter Seward
Columns, Music, Today's SongDecember 20, 2023<January 8, 2024

Today’s Song: TRISHES’ Otherworldly “Astrology” Explores a Religious Belief and a Celestial Bond with the Universe

by Chloe Robinson
Sid Simons © Elliott Atkinson
Concerts, EditorialsDecember 20, 2023<February 23, 2024

Ladies and Gentlemen, Sid Simons Is “not singing for you”

by Noah Berghammer
Truth Club © Walker Bankson
Features, Interviews, MusicDecember 20, 2023<December 20, 2023

Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety

by Guest Writer
Atwood Magazine's Best Shows of 2023
Concerts, Features, Lists, MusicDecember 20, 2023<January 4, 2024

Atwood Magazine’s Best Concerts of 2023!

by Atwood Magazine Staff
Pink Friday 2 - Nicki Minaj © Charlotte Rutherford 8.6
Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023

Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’

by Josh Weiner
Akenya © Leah Wendzinski
Columns, Interviews, Music, Today's SongDecember 19, 2023<December 20, 2023

Interview: Akenya on Self-Mythology, Astrology, and New Single “Hades Moon”

by Mariel Fechik
The Best EPs of 2023!
Features, Lists, MusicDecember 19, 2023<January 7, 2024

The 36 Best EPs of 2023

by Atwood Magazine Staff
Posts pagination
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Brand New

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year

:: discover something new ::

Recent Posts

  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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