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Sampha © Jesse Crankson
Columns, Music, Today's SongDecember 14, 2023<December 14, 2023

Today’s Song: Sampha’s Heavenly Vocals Shimmer on the Blissful “Jonathan L. Seagull” Off Sophomore LP ‘Lahai’

by Jake Fewx
Cold War Kids © Sean Flynn
Features, Interviews, MusicDecember 14, 2023<January 5, 2024

“An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom

by Mitch Mosk
Movie Club © Bobby Rivero
Interviews, MusicDecember 13, 2023<December 13, 2023

Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’

by Josh Weiner
Phoenix pose against a familiar backdrop © Shervin Lainez
Features, Interviews, MusicDecember 13, 2023<December 13, 2023

“It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More

by Mitch Mosk
Bad Veins © 2023
Columns, Music, Today's SongDecember 13, 2023<December 13, 2023

Bad Veins Soar in Heartache-Fueled Synth-Pop Singalong “Wendy” & Third LP ‘Imposter’

by Mitch Mosk
Meantime - Slow Leaves
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Track-by-Track: Slow Leaves Weaves a Love Letter to Life Itself on 5th LP ‘Meantime,’ a Glistening, Golden Folk Dream

by Mitch Mosk
Squirrel Flower © Alexa Viscius
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’

by Mitch Mosk
GIYA © Lennon Gregory
Columns, Music, Today's SongDecember 12, 2023<December 12, 2023

Today’s Song: GIYA’s Soul-Soaked “spin the record” Aches With a Dreamy, Warm & Wistful Weight

by Mitch Mosk
Bear's Den © Bennie Curnow
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023

Feature: Bear’s Den Reflect on a Decade of Intimate Songwriting & Unpack Their ‘White Magnolias’ EP

by Mitch Mosk
Girl Scout © Alvin Lindblom
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 11, 2023<December 20, 2023

“Everyone’s a Child”: Girl Scout’s Fire Burns Bright on ‘Granny Music,’ Their Sonically Charged Sophomore EP

by Mitch Mosk
denn. © Emma Pilkington Mead
Artist to Watch, Columns, Music, Today's SongDecember 11, 2023<December 11, 2023

Artist to Watch: NYC’s denn. Channels Raw Emotion into a Hot-on-the-Mic Fever Dream With “uh uh uh uh UH?”

by Mitch Mosk
Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

by Sofia Sar
Hannah Diamond, self-portrait © Carina Kehlet Schou
Columns, Music, Today's SongDecember 9, 2023<December 9, 2023

Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture”

by Jaclyn Kelly
Atwood Magazine's Weekly Roundup | December 8, 2023
Columns, Features, Music, Weekly RoundupDecember 9, 2023<December 12, 2023

Atwood Magazine’s Weekly Roundup: December 8, 2023

by Atwood Magazine Staff
Eden Rain © Jack Alexander
Artist to Watch, Features, Interviews, Music, Track-by-TrackDecember 8, 2023<December 8, 2023

Track-by-Track: London’s Eden Rain Pours Her Heart & Soul into Sophomore EP ‘But I’m Alright Now’

by Mitch Mosk
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Brand New

  • Atwood Magazine’s Weekly Roundup: June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation

:: discover something new ::

Recent Posts

  • Atwood Magazine’s Weekly Roundup: June 23, 2026 June 23, 2026
  • “Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream June 23, 2026
  • “I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release June 22, 2026
  • Ryan Bingham Reinvents Cowboy Country with ‘They Call Us the Lucky Ones’ June 22, 2026
  • Railbird 2026 Was Derby Roads, Country Music, and a Community Coming Together June 22, 2026
  • “I Know I’ve Arrived”: Yan Qing Explores the Weight of Indecision and the Solace of Love on “The Arrival,” an Achingly Honest Acoustic Ballad June 22, 2026
  • “Rule Me, Stone Me”: Personal Trainer’s “Punch Drunk Love” Captures the Tender Chaos of Infatuation June 22, 2026
  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
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