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Andrew Daly
Columns, Meet Our WritersJuly 23, 2023<July 29, 2023

Meet Our Writers: Long Island’s Andrew Daly!

by Andrew Daly
Kid Prexy © 2023
Columns, Music, Today's SongJuly 23, 2023<July 21, 2023

Today’s Song: Kid Prexy Shoots for the Stars With His Catchy, Appropriately-Titled “Shooting Star”

by Julius Robinson
Troye Sivan © Stuart Winecoff
Columns, Music, Today's SongJuly 22, 2023<July 21, 2023

Today’s Song: Be Consumed by the “Rush” with Troye Sivan

by Brendan Le
Atwood Magazine's Editor's Picks 104
Columns, Editor's Picks, Features, MusicJuly 21, 2023<July 21, 2023

Editor’s Picks 104: Holly Humberstone, Del Water Gap, Francis of Delirium, DURRY, Ashaine White, & Lovetta!

by Mitch Mosk
Disco Lines © Coleman Reis
Interviews, MusicJuly 21, 2023<July 21, 2023

Interview: An Introduction to Disco Lines, The Young DJ & Label Head Launching Waves in the EDM World

by Nick Polak
Atwood Magazine's Weekly Roundup | July 21, 2023
Columns, Features, Music, Weekly RoundupJuly 21, 2023<July 21, 2023

Atwood Magazine’s Weekly Roundup: July 21, 2023

by Atwood Magazine Staff
The Rose © Christian Haahs
Columns, Music, Today's SongJuly 21, 2023<September 20, 2023

Today’s Song: South Korea’s The Rose Release Scream-Along Anthem “Back to Me”

by Freya Rinaldi
Arliston © Wolf James
Features, Interviews, Music, Track-by-TrackJuly 20, 2023<July 20, 2023

Track-by-Track: Inside Arliston’s Beautifully Tender Tempest, ‘How in Heaven’

by Mitch Mosk
B-Drop
Features, Music, PremieresJuly 20, 2023<July 20, 2023

Premiere: B-Drop Worldwide Showcases Mia Mormino & Gal Musette

by Mitch Mosk
Local Natives © Loma Vista
Columns, Music, Today's SongJuly 20, 2023<March 2, 2025

Today’s Song: Local Natives Find Their Way Back Together With New LP & Standout Track “Just Before The Morning”

by Beau Hayhoe
The Murlocs © Izzie Austin
Features, Interviews, MusicJuly 19, 2023<July 19, 2023

Living Under a Rock: A Long-Overdue Conversation With The Murlocs

by Ben Niesen
Hanging Valleys © 2023
Features, Interviews, Music, Track-by-TrackJuly 19, 2023<July 19, 2023

Growth, Distance, & Love: The Ambient Embrace of Hanging Valleys’ Soul-Stirring EP, ‘Tomorrow I’ll Be Gone’

by Mitch Mosk
Old Man Canyon © Cody Briggs
Music, PremieresJuly 19, 2023<July 19, 2023

Premiere: Old Man Canyon’s “Never Apart” Is a Groovy, Golden Dream of Human Connection & Healing

by Mitch Mosk
Fractures © Joey Clough
Columns, Music, Today's SongJuly 19, 2023<July 20, 2023

Today’s Song: Fractures Turns a New Leaf with Electric & Bold “Secret”

by Lauren Hicks
Rumours - Fleetwood Mac
Music, ReviewsJuly 18, 2023<July 20, 2023

Fleetwood Mac’s ‘Rumours’: The Timeless Album Dominating the Sound of Summer

by Guest Writer
Posts pagination
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Brand New

  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’

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Recent Posts

  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
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