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Atwood Magazine's Best Songs of 2025!
Features, Lists, MusicDecember 31, 2025<January 2, 2026

Atwood Magazine’s 2025 Songs of the Year

by Atwood Magazine Staff
Alex Breitling © 2025
Columns, Music, Today's SongDecember 31, 2025<December 31, 2025

Today’s Song: Come Plunge into the Coral Reef (in Your Mind, Anyways) via Alex Breitling’s Immersive “Eternity”

by Josh Weiner
Atwood Magazine's 142nd Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 30, 2025<December 30, 2025

Editor’s Picks 142: spill tab, praise., Francis of Delirium, Boyish, Quarters, & Wishlist!

by Mitch Mosk
Telescreens © Monty Hamm
Interviews, Music, Today's SongDecember 30, 2025<December 28, 2025

“Screaming Together Is How We Feel Less Alone”: NYC’s Telescreens Turn Numbness into Communal Release on “Nothing”

by Mitch Mosk
Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

by Mitch Mosk
Bartees Strange © William Minke
MusicDecember 29, 2025<December 28, 2025

“These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming

by Mitch Mosk
JERUB 'The Wonder Years' © 2025
Features, Interviews, MusicDecember 29, 2025<December 28, 2025

“Maybe These Are the Wonder Years”: JERUB Embraces Presence, Uncertainty, & Becoming on His Spirited, Soul-Searching Mixtape

by Mitch Mosk
Atwood Magazine's 141st Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 23, 2025<December 23, 2025

Editor’s Picks 141: Witch Post, DM Arthur, TOLEDO, Sly Jr., Chelsea Jordan, & Lucia!

by Mitch Mosk
Hudson Freeman © Sophie B
Artist to Watch, Features, Interviews, Music, Today's SongDecember 22, 2025<December 22, 2025

“Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection

by Mitch Mosk
Atwood Magazine's Mistletones 2025 Pt. 2
Features, Interviews, Lists, Mistletones, MusicDecember 22, 2025<December 25, 2025

Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 2!

by Atwood Magazine Staff
Vienna Vienna © Chloe Chippendale
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025

“Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”

by Mitch Mosk
Petey USA
Features, Interviews, MusicDecember 19, 2025<December 19, 2025

“This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’

by Mitch Mosk
Anyhow © Gabe Drechsler
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025

“We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars

by Mitch Mosk
Atwood Magazine's 2025 Mistletones, Pt. 1!
Features, Interviews, Lists, Mistletones, MusicDecember 19, 2025<December 22, 2025

Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1!

by Atwood Magazine Staff
Medium Build © Tyler Krippeahne
Features, Interviews, MusicDecember 18, 2025<January 30, 2026

“I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

by Mitch Mosk
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Brand New

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around”
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’

:: discover something new ::

Recent Posts

  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
  • “I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return June 3, 2026
  • “A Beautiful, Terrifying Freedom”: Worthitpurchase Turn Precision into Poetry on “Postcard” June 3, 2026
  • “It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age June 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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