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Olina © 2025
Music, PremieresJuly 23, 2025<July 23, 2025

Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread

by Mitch Mosk
Sex Hysteria - Jessie Murph album art 8.7
Music, Our Take, ReviewsJuly 23, 2025<July 23, 2025

Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’

by Emily Frances Algar
NoSo © Driely Carter
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025

Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs

by Mitch Mosk
sombr "we never dated" © 2025
Columns, Music, Today's SongJuly 23, 2025<July 23, 2025

Today’s Song: sombr’s “We Never Dated” Hurts in All the Quiet Ways of Unspoken Love

by Ari White
Isabella&Sebastian © 767Agency
Music, PremieresJuly 22, 2025<July 22, 2025

Premiere: Isabella&Sebastian Fight Self-Sabotage in Style on “Lobbytommy,” a Smoldering Indie Pop Reverie

by Mitch Mosk
Silhouetted Vocalist with Microphone © 2025
Editorials, MusicJuly 22, 2025<July 23, 2025

Essay: Talking Is Music to My Ears

by Guest Writer
mgk "vampire diaries" music video still © Sam Cahill
Columns, Music, Today's SongJuly 22, 2025<July 22, 2025

“I was born to fly, but baby, I would die to run”: mgk’s Genre-Blending Magic Continues with “vampire diaries”

by Danielle Holian
aleksiah © 2025
Interviews, MusicJuly 21, 2025<July 21, 2025

Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name

by Mitch Mosk
Charlotte Lawrence 'Somewhere' album art
Debut, Music, Reviews, Track-by-TrackJuly 21, 2025<July 21, 2025

A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation

by Nicolle Knapová
Jake Minch © Adali Schell
Debut, Features, Interviews, MusicJuly 21, 2025<July 21, 2025

“This Is Really Just an Unburdening”: Jake Minch on Heartbreak, Mental Health, & Making His Debut Album ‘George’

by Kelly McCafferty Dorogy
Julia Michaels © Blythe Thomas
Interviews, MusicJuly 21, 2025<July 21, 2025

“Trust Your Gut”: Julia Michaels’ Road to Creative Freedom

by Sage Bava
DITZ © Pedro Takahashi
Columns, Music, Today's SongJuly 21, 2025<July 22, 2025

Ditz Build, Get Lost in, and Burn to the Ground an Emotion-Packed Atmosphere on “britney”

by Andrew Lamson
Natalie Slade © 2025
Columns, Music, Today's SongJuly 20, 2025<July 19, 2025

Today’s Song: Natalie Slade Wrestles With Desire and Devotion on “Unquenchable Craving”

by Marvin Twiggs
Ajii and Jordan Anthony © Joe DeSantis
Columns, Music, Today's SongJuly 19, 2025<July 19, 2025

Today’s Song: Ajii and Jordan Anthony’s “Cherry” Is a Sweet Slice of Pop That Truly Shines

by Chloe Robinson
Atwood Magazine's 128th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025

Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet!

by Mitch Mosk
Posts pagination
1 … 24 25 26 27 28 … 711

Brand New

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out”
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!
  • Atwood Magazine’s Top Artist Discoveries of 2025

:: discover something new ::

Recent Posts

  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
  • “I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession December 14, 2025
  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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