Concerts, Music, ReviewsSeptember 5, 2024<September 5, 2024 Wonderful Light, We Set the Scene: Dhani Harrison Takes the INNERSOUNDSTAGE by Aidan Moyer
Columns, Music, Today's SongSeptember 4, 2024<September 4, 2024 “Before you came ’round my heart would never beat much faster”: Oh Wonder Revisit Their Breathtaking Debut Single With “Body Gold (10 Years On)” by Mitch Mosk
Debut, Features, Interviews, Music, Premieres, Track-by-TrackSeptember 4, 2024<September 4, 2024 Reflective, Unflinching, & Palpable: Sloan Golden Debuts With Intimacy, Intentionality, and ‘Long Conversations’ by Mitch Mosk
Features, Interviews, MusicSeptember 4, 2024<September 4, 2024 “Hi, How Are You?”: Hinds Reintroduce Themselves on Danceable & Unforgettable New Album ‘VIVA HINDS’ by Aaron Childree
Features, Music, Reviews, RoundtableSeptember 4, 2024<September 4, 2024 Roundtable Discussion: A Review of Sabrina Carpenter’s ‘Short n’ Sweet’ by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupSeptember 2, 2024<September 4, 2024 Atwood Magazine’s Weekly Roundup: September 2, 2024 by Atwood Magazine Staff
Columns, Music, Today's SongSeptember 1, 2024<September 1, 2024 “I wanna shine inside your world”: country girl’s “your favorite girl” Is a Sweet Romantic Seduction by Mitch Mosk
Columns, Music, Today's SongAugust 31, 2024<August 31, 2024 “This light always shines for you”: The Sherlocks’ “Death of Me” Is an Indie Rock Anthem for the Ages by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackAugust 30, 2024<August 30, 2024 “A reintroduction to me as a human and as an artist”: Tim Atlas Unpacks ‘Enchanté,’ His Ambitiously Bold Debut LP by Mitch Mosk
Music, ReviewsAugust 30, 2024<August 30, 2024 Review: ‘Wild God’ Carries Nick Cave & The Bad Seeds Out of a Lost Place by Liv Goodbody
Features, Interviews, Music, Track-by-TrackAugust 30, 2024<September 3, 2024 ‘Water the Flowers, Pray for a Garden’: Valley Discuss Grief, Growth, & Owning Their Truths With Their Third LP by Mitch Mosk
Columns, Music, Today's SongAugust 29, 2024<August 29, 2024 “I want you to knock my lights out”: Bishop Briggs’ Messy, Sweaty, & Intoxicating Anthem, “Mona Lisa on a Mattress” by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024 “I am not who I thought I’d be”: Little Mystery’s Ivy Meissner Bares Her Soul on Breathtaking Debut LP by Mitch Mosk
Features, Interviews, Music, Track-by-TrackAugust 29, 2024<August 29, 2024 Track-by-Track: The Rare Occasions Unpack 2022’s ‘Attaboy’ EP, an Exhilarating & Undeniably Fun Indie Rock Record by Mitch Mosk
Music, PremieresAugust 29, 2024<August 29, 2024 “I’m falling apart in the red car”: Winnipeg’s meadows Brace for Loss on “If You Go,” a Brooding Slowcore Daydream by Mitch Mosk
For the Love of Music
For the Love of Music
