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Polycrisis - Gloom Girl MFG
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Gloom Girl MFG Sneer, Distort, & Destroy Their Nashville Roots on Brilliant EP ‘Polycrisis’

by Oliver Crook
Amanda Bergman © Julia Mård
Music, ReviewsJune 18, 2024<June 18, 2024

Review: Amanda Bergman’s ‘Your Hand Forever Checking on My Fever’ Is a Culmination of Life and Her Place in It

by Rachel Leong
Blind Pilot © 2024
Columns, Features, Interviews, Music, Today's SongJune 18, 2024<June 24, 2024

“There’s always a deeper truth to hold”: Blind Pilot Soar Once More on “Just a Bird,” Their First Song in 8 Years

by Mitch Mosk
Atwood Magazine's Weekly Roundup | June 14, 2024
Columns, Features, Music, Weekly RoundupJune 14, 2024<June 17, 2024

Atwood Magazine’s Weekly Roundup: June 14, 2024

by Atwood Magazine Staff
Aquilo 'Painkiller' © Harvey Pearson
Columns, Features, Interviews, Music, Today's SongJune 14, 2024<June 19, 2024

“A lot of these songs are about close friends, partners, and loss”: Aquilo’s New Music Aches From the Inside Out

by Mitch Mosk
Ok Cowgirl © Rita Iovine
Features, Interviews, MusicJune 14, 2024<June 14, 2024

“Sometimes vulnerability just looks like trash”: Ok Cowgirl Channel Raw Energy into Fiery Sound on “Little Splinters & “Forever”

by Mitch Mosk
LULLANAS © Luda Ronky
Debut, Features, Interviews, Track-by-TrackJune 14, 2024<June 14, 2024

Cathartic, Empathetic, & Emotive: Folk-Pop Twin Duo LULLANAS Shine a Soft, Soothing Light on Debut Album ‘Pretty Lies & Time Machines’

by Mitch Mosk
The Marías © Ashley Olah
Columns, Music, Today's SongJune 13, 2024<June 13, 2024

Today’s Song: The Marías Explore Intoxicating Detachment in “No One Noticed”

by Marc Maleri
French Cassettes 'Benzene' © Marisa Bazan
Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 15, 2024

“It took so long to find a way to fill the silence”: Basking in French Cassettes’ Sunny, Spirited Third Album ‘Benzene’

by Mitch Mosk
Sabrina Song © Livy Wicks
Debut, Features, Interviews, Music, Track-by-TrackJune 13, 2024<June 13, 2024

“Introspective, Loving, & Optimistic”: Sabrina Song’s Soul Is Exposed on Debut Album ‘You Could Stay In One Spot, and I’d Love You The Same’

by Mitch Mosk
Ultra Q at the Echo 2024 © Jax Samsell
Concerts, Music, ReviewsJune 13, 2024<June 13, 2024

Live Review: Ultra Q Sell Out the Echo & Resurface Their Former Roots at Mt. Eddy for a Cathartically Chaotic Night in the Pit

by Grace Holtzclaw
Fleetwood Mac © Norman Seeff, 1978
Columns, Music, Nostalgia TracksJune 13, 2024<June 13, 2024

A Short Story of Beginnings, Ends, & Understanding Why Fleetwood Mac’s “Save Me a Place” Is the Foundation That Holds True No Matter What

by Kevin Cost
Primavera Sound 2024 Created in Barcelona © Christian Bertrand
Festival, Music, ReviewsJune 13, 2024<June 13, 2024

Review: Vibrant Spanish Culture Meets Musical Diversity at Primavera Sound Barcelona 2024

by Michael Greco
Under The Rug © 2024
Music, Music Videos, PremieresJune 13, 2024<June 13, 2024

Video Premiere: Austin’s Under the Rug Channel Sylvia Plath’s Spirit in “mad girl’s love song”

by Mitch Mosk
Sunnsetter © Jules Mancuso
Music, PremieresJune 12, 2024<June 12, 2024

“Never wanna go back”: Sunnsetter’s “Try Again” Is an Aching Alt-Rock Anthem of Perseverance, Guts, & Pursuing Your Dreams

by Mitch Mosk
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Brand New

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”
  • Atwood Magazine’s 2025 Albums of the Year
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’

:: discover something new ::

Recent Posts

  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
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