Tate McRae’s third studio album ‘So Close to What’ blends introspective lyrics, infectious pop beats, and emotional vulnerability, marking a defining moment in her evolution as an artist and young woman navigating love, fame, and self-discovery.
‘So Close to What’ – Tate McRae
Tate McRae, the Canadian singer, songwriter, and dancer, has returned with her third studio album, So Close to What.
At just 21 years old, McRae has already solidified her place in pop music, but this album marks a pivotal moment in her career. With a collection of darkly-hued pop tracks, introspective lyrics, and infectious melodies, So Close to What is a sleek and fast-moving album that showcases McRae’s growth as both an artist and a young woman navigating fame, love, and self-discovery.
The album opens with “Miss Possessive,” an unapologetic anthem that explores jealousy and ownership within relationships. McRae’s confident delivery and catchy chorus set the tone for an album that isn’t afraid to delve into emotional complexities. The lead singles — “It’s OK I’m OK,” “2 Hands,” and “Sports Car” — each bring something unique to the table. “It’s OK I’m OK” presents a playful take on post-breakup resilience, while “2 Hands” stands out as one of McRae’s first love songs, blending alternative and R&B influences with sultry lyrics. Meanwhile, “Sports Car” offers a more laid-back vibe, reflecting the desire for non-committal relationships.
A standout track is “Revolving Door,” which captures the push-and-pull dynamic of toxic relationships. The melancholic melody contrasts with its uptempo beat, showcasing McRae’s vocal ability to convey both frustration and longing. The chorus — “But I keep coming back like a revolving door / Say I couldn’t want you less, but I just want you more” — is both relatable and emotionally charged, making it a highlight of the album.
McRae’s introspection continues with “Means I Care,” a slower-paced track that explores her tendency to distance herself from relationships as a form of self-protection. The heartbeat-like production and intimate lyrics create a sense of vulnerability, with McRae singing, “If I cut you off, it just means I care / Downright shut you out, must mean that it’s going somewhere.” This emotional honesty is a hallmark of McRae’s songwriting, and it resonates deeply with listeners who have experienced similar fears of getting too close.
Collaboration also plays a key role on So Close to What with “bloodonmyhands” featuring rapper Flo Milli. This track sees McRae confidently moving on from a past relationship, with Flo Milli’s verse adding an extra layer of empowerment. The infectious beat and playful lyrics make it a track that’s sure to be a fan favorite.
Another highlight is “Purple Lace Bra,” which blends lush strings with a trip-hop beat. On the surface, the song explores themes of lust and desire, but beneath the surface lies a deeper commentary on seeking validation and the complexities of female sexuality. McRae’s raw vulnerability shines through as she sings, “Would you hear me more if I whispered in your ear? / You only listen when I’m undressed.” It’s a powerful moment that captures both personal and societal struggles.
Midway through the album, some tracks risk blending together due to similar beats and production styles. However, McRae’s vocal delivery and lyrical honesty prevent the album from losing momentum. Songs like “Signs” and “I Know Love” stand out for their introspective lyrics and catchy melodies. In “Signs,” McRae expresses frustration with unspoken expectations in a relationship, while “I Know Love,” featuring The Kid Laroi, delves into the addictive nature of love, comparing it to a drug with lyrics like, “I know love when it hits when it feels like this / It’s a little like drugs.”
As the album progresses, McRae continues to explore themes of heartbreak, self-discovery, and empowerment.
“Dear God” reflects on the lingering attraction to a past lover, while “I Am Not In Love” captures the internal struggle of denying feelings despite clear signs to the contrary. In “Like I Do,” McRae asserts her individuality, addressing those who imitate her while lacking authenticity.
The album closes with “Nostalgia,” a beautiful acoustic-driven track that serves as a reflective conclusion. Inspired by a conversation with her father during her 2024 THINK LATER World Tour, the song explores the tendency to dwell on the past or worry about the future, missing the present moment. McRae’s heartfelt lyrics, “I felt like I was living in this fear of the future, and living the future or the past and never ever the present,” resonate with anyone who has struggled to stay grounded.
So Close to What solidifies Tate McRae’s position as one of the most important young artists in pop music today.
The album’s contemporary soundscape, influenced by early 2000s beats and layered with electronic drums, synths, and danceable basslines, places McRae at the forefront of pop music in 2025. Yet, the album also pays homage to the music that came before, with nods to the 1980s, 1990s, and early 2000s. McRae’s evolution from emotional ballads to more confident and mature themes is evident, making this album a defining moment in her career.
In both its danceable beats and introspective lyrics So Close to What captures the complexities of growing up, falling in love, and finding oneself. It’s an album that resonates with listeners on multiple levels, offering both infectious pop hits and emotional depth. With this release, Tate McRae has not only found her sound but has also proven that she’s here to stay. This album is a statement of who she is and where she’s headed next.
And if So Close to What is any indication, the future looks incredibly bright for Tate McRae.
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