Features, Interviews, MusicOctober 30, 2024<October 30, 2024 Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music by Emma Rayder
Features, Music, Reviews, RoundtableSeptember 10, 2024<September 10, 2024 Roundtable Discussion: A Review of Fontaines D.C.’s ‘Romance’ by Atwood Magazine Staff
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024 ‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album by Emma Rayder
Features, Lists, MusicJuly 25, 2024<July 31, 2024 The Best Songs of 2024 (So Far) by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupApril 26, 2024<May 5, 2024 Atwood Magazine’s Weekly Roundup: April 26, 2024 by Atwood Magazine Staff
Music, Reviews, This Just InApril 26, 2024<April 28, 2024 “Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible by Hamish Monk
Features, Interviews, MusicNovember 17, 2022<November 17, 2022 Interview: Fontaines D.C.’s ‘Skinty Fia’ Is a Tremendously Needed Album, and Here’s Why by Dimitra Gurduiala
Columns, Music, Weekly RoundupAugust 7, 2020<August 7, 2020 Atwood Magazine’s Weekly Roundup: August 7, 2020 by Atwood Magazine Staff
Debut, Features, Interviews, MusicApril 10, 2019<April 30, 2019 Feature: Fontaines D.C. Channel Past Poets to Ponder Ireland’s Future in Debut ‘Dogrel’ by Oliver Crook
For the Love of Music
For the Love of Music
