Features, Interviews, MusicFebruary 9, 2024<February 9, 2024 “I’m living for me now”: Katelyn Tarver on New Album ‘Quitter,’ Unlearning, & Asking the Big Questions by Kelly McCafferty Dorogy
Concerts, Music, ReviewsOctober 17, 2023<October 17, 2023 Live Review: Katelyn Tarver Brings an Intimate Energy to Houston on Her Compliments Only Tour by Kelly McCafferty Dorogy
Columns, Music, Today's SongJuly 31, 2023<July 31, 2023 Today’s Song: Katelyn Tarver Shines a Light in the Dark With “Starting to Scare Me” by Kelly McCafferty Dorogy
Columns, Features, Music, Weekly RoundupJuly 7, 2023<July 7, 2023 Atwood Magazine’s Weekly Roundup: July 7, 2023 by Atwood Magazine Staff
Columns, Editor's Picks, Features, MusicJune 14, 2023<June 15, 2023 Editor’s Picks 102: Birthh, The Mysterines, Angie McMahon, Katelyn Tarver, Katherine Li, & The Japanese House! by Mitch Mosk
Debut, Features, Music, Reviews, Track-by-TrackNovember 12, 2021<January 18, 2024 “Sour for Millennials”: Katelyn Tarver Dives Inside Her Brutally Honest Debut Album, ‘Subject to Change’ by Mitch Mosk
Music, Music Videos, PremieresSeptember 21, 2021<September 21, 2021 Premiere: Katelyn Tarver Shines on Radiant & Intimately Unapologetic New Single “Nicer” by Mitch Mosk
For the Love of Music
For the Love of Music
