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Features, Interviews, MusicMarch 28, 2025<March 28, 2025 Interview: How girlpuppy Transformed Heartbreak into Catharsis on Sophomore LP ‘Sweetness’ by Noa Jamir
Features, Interviews, Music, Track-by-TrackMarch 27, 2025<March 27, 2025 “Therapy Trauma Tunes”: Medium Build’s Nick Carpenter Talks Returning Home, Unpacking His Past, & Turning Scars into Songs with ‘Marietta’ by Mitch Mosk
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Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025 “I’m not trying to fit in anymore”: 80purppp Peels Back the Layers on ‘Suite 96 (Side A),’ a Record of Inner Reckoning, Surrealism, and Self-Discovery by Mitch Mosk
Features, Interviews, Music, Track-by-TrackMarch 26, 2025<March 26, 2025 “It’s us making songs we needed to make”: Sarah and the Sundays Embrace Raw Emotion & Life’s Beautiful Mess on ‘Like a Damn Dog’ by Mitch Mosk
Features, Interviews, MusicMarch 25, 2025<March 25, 2025 Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’ by Emily Frances Algar
Features, Interviews, MusicMarch 24, 2025<March 24, 2025 “I Wanted to Make Something That Was Kind of Lulling You to Sleep”: Puma Blue Talks Honesty, Spirituality, & Stepping Out of the Box With ‘antichamber’ by Desire' Jackson-Crosby
Features, Music, Reviews, RoundtableMarch 18, 2025<March 18, 2025 Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’ by Atwood Magazine Staff
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Features, Interviews, Music, Track-by-TrackMarch 13, 2025<March 13, 2025 Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ by Joe Beer
Music, ReviewsMarch 13, 2025<March 13, 2025 Review: Horsegirl Sing for You on “Phonetics On and On” by Juls Patterson
Debut, Features, Interviews, MusicMarch 12, 2025<March 12, 2025 Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’ by Rachel Leong
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For the Love of Music
For the Love of Music
