8.7 Debut, Music, Our Take, ReviewsNovember 27, 2024<November 27, 2024 Our Take: Wallice’s ‘The Jester’ Is an Eclectic Portrayal of Life and Striving to Reach Our Dreams by Frankie Rose
Features, Interviews, MusicNovember 27, 2024<November 27, 2024 “I deserve to be in the room”: mxmtoon on Agency, Family, and Womanhood in ‘liminal space’ by Rachel Leong
8.1 Music, Our Take, ReviewsNovember 25, 2024<November 25, 2024 Our Take: A Revamped Linkin Park Start ‘From Zero’ and Finish With a Thrilling Comeback Album by Josh Weiner
Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024 Feature: Bathe Alone Channels Grief into Musical Beauty on ‘I Don’t Do Humidity,’ an Album of Endings, Trauma, & Divorce by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 22, 2024<November 22, 2024 Feature: Lia Pappas-Kemps’ Inner Light Shines on ‘Gleam,’ a Bold, Brash, & Breathtaking Debut by Mitch Mosk
Music, ReviewsNovember 22, 2024<November 22, 2024 Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On by Josh Bloom
Features, Interviews, Music, Track-by-TrackNovember 21, 2024<November 21, 2024 “Bitchy, Fun, & Stupid”: Little Hag’s ‘Now That’s What I Call Little Hag’ Is a Delightfully Bold & Unapologetic Fever Dream by Mitch Mosk
Debut, Features, Interviews, MusicNovember 21, 2024<November 21, 2024 “I’m just a really pure person”: WILDBERRY Speaks on Creative Virtues, the Ubiquity of Love, & Debut Record ‘AGAPE’ by Isabella Le
Music, ReviewsNovember 21, 2024<November 22, 2024 Review: Michael Kiwanuka’s ‘Small Changes’ Is a Quiet Departure From His Big Sound by Liv Goodbody
Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024 Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’ by Mitch Mosk
MusicNovember 16, 2024<November 16, 2024 Today’s Song: Contemplations on Life’s Demands With Cornelia Murr’s “Meantime” & “How Do You Get By” by Marc Maleri
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024 Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024 Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024 Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024 “Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP by Mitch Mosk
For the Love of Music
For the Love of Music
