Features, Interviews, MusicAugust 23, 2024<August 23, 2024 “Dreaming all day, wandering all night”: The National Parks Embrace Their ‘Wild Spirit’ in an Album of Wilderness, Folk, & Adventure by Mitch Mosk
Features, Interviews, MusicAugust 23, 2024<August 23, 2024 “I was able to allow myself to be more real”: Illuminati Hotties Stops Dodging the Truth and Starts Healing on ‘POWER’ by Oliver Crook
Music, Reviews, RoundtableAugust 22, 2024<August 22, 2024 Roundtable Discussion: A Review of Childish Gambino’s ‘Bando Stone and the New World’ by Atwood Magazine Staff
Features, Interviews, Music, Track-by-TrackAugust 22, 2024<August 29, 2024 Human Connection: The Story of Blind Pilot’s Fourth Album, ‘In the Shadow of the Holy Mountain’ by Mitch Mosk
Debut, Features, Interviews, Music, Track-by-TrackAugust 21, 2024<August 21, 2024 “Queer Metabolism”: Inside The Noisy’s Charged & Charming Debut LP ‘The Secret Ingredient Is More Meat’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024 Track-by-Track: The Tender Turbulence of MAITA’s Passionate, Subtle, & Potent Third Album, ‘want’ by Mitch Mosk
7 Debut, Music, Our Take, ReviewsAugust 20, 2024<August 21, 2024 Our Take: Ice Spice Delivers an Energetic Sort-of-Full-Length Debut, ‘Y2K!’ by Josh Weiner
Features, Interviews, Music, Track-by-TrackAugust 20, 2024<August 20, 2024 “Happy, Sleepy, & Sad”: Inside Marlin’s Dreaming’s Tranquil, Triumphant & Charged Fourth LP, ‘HIRL’ by Mitch Mosk
Music, ReviewsAugust 20, 2024<August 20, 2024 No End and No Beginning: Inside the ‘Deadpool & Wolverine’ Soundtrack by Aidan Moyer
Features, Interviews, MusicAugust 19, 2024<August 19, 2024 “I’m setting free”: Novo Amor’s Ali Lacey Finds Strength in Fragility on ‘Collapse List,’ an Album of Upheaval & Rediscovery by Mitch Mosk
Interviews, MusicAugust 19, 2024<August 19, 2024 Interview with Loup Barrow: An Inventive Percussionist Is Back From the French Coast With New LP ‘Immineo’ in Tow by Josh Weiner
Features, Interviews, MusicAugust 19, 2024<August 19, 2024 Interview: Sundays Are for Amy Shark by Emma Rayder
Music, ReviewsAugust 15, 2024<August 15, 2024 Review: Footballhead Deliver a Ripping Alt-Rock Record on ‘Before I Die’ by James Crowley
Music, Reviews, Track-by-TrackAugust 15, 2024<August 14, 2024 Track-by-Track: Home Is Where’s ‘the whaler’ Is a Lifetime of Damnation, Lived Again, and Again, and Again… by Frederick Bloy
Debut, MusicAugust 14, 2024<August 14, 2024 Interview: ‘A Time to Live, A Time to Die,’ and a Time to Lend Amor Muere an Ear by Josh Weiner
For the Love of Music
For the Love of Music
