Music, ReviewsMay 6, 2024<May 5, 2024 “A whole lot of glitter to shake off”: NYC Comes to Life in Isaac Dunbar’s ‘Beep Beep Repeat,’ a Record of Glitz, Glam, Dreaming Big Dreams & Dancing All Night Long by Mitch Mosk
Music, ReviewsMay 4, 2024<May 4, 2024 Taylor Swift’s ‘The Tortured Poets Department’ Is, With Flaws and All, a Misunderstood, Overanalyzed Career Highlight by Noah Wade
Debut, Features, Interviews, MusicMay 3, 2024<May 3, 2024 “Life is short but time is very slow”: Rachel Chinouriri Reflects on a Captivating, Vulnerable, & Healing Debut by Jake Fewx
Features, Music, Reviews, RoundtableMay 3, 2024<June 29, 2024 Roundtable Discussion: A Review of Maggie Rogers’ ‘Don’t Forget Me’ by Atwood Magazine Staff
Features, Interviews, MusicMay 3, 2024<May 2, 2024 “This one feels like romance anew”: The Libertines Return to Form on ‘All Quiet on the Eastern Esplanade,’ a Record of Shadowy Figures, Bright Faces, Optimism, & Regret by Danny Vagnoni
Debut, Features, Interviews, Music, Track-by-TrackMay 2, 2024<May 2, 2024 ‘I think I might be grown’: Mae Krell Charts Her Coming-of-Age in a Debut Album of Healing, Hope, & Choosing Life by Mitch Mosk
Debut, Features, Interviews, Music, Premieres, Track-by-TrackMay 2, 2024<May 2, 2024 “An Erotic Sigh of Surrender”: Brie Stoner Premieres Her Empowering and Vulnerable Debut Album ‘Me Veo’ by Mitch Mosk
Debut, Features, Interviews, MusicMay 2, 2024<May 2, 2024 Feature: Austin’s Large Brush Collection Find Their Balance on ‘Off Center,’ a Delicate & Sweeping Tapestry of Folk by Mitch Mosk
Features, Interviews, MusicMay 2, 2024<May 2, 2024 “It’s kind of liberating”: Frank Turner Is ‘Undefeated’ on His Enthralling Tenth Studio Album by Michael Greco
Music, ReviewsMay 1, 2024<May 1, 2024 Donna Lewis Tells a Ten-Track Story of Overcoming Uncertainty on ‘Rooms With a View’ by Grace Holtzclaw
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024 “The golden days will come”: Joshua Hyslop’s Inner Light Shines on ‘Evergold,’ a Warm & Wistful Folk Reverie by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 30, 2024<April 30, 2024 “Dare turn and face me”: Melbourne’s Mia Dyson Wears Her ‘Tender Heart’ on Her Sleeve in a Radiant Record of Life, Love, & Human Connection by Mitch Mosk
Features, Interviews, Music, Track-by-TrackApril 30, 2024<May 15, 2024 “You sink or swim or you learn to fly”: Bridget Kearney Rises and Shines in ‘Comeback Kid,’ a Record of Resilience, Rebirth, & Reconnection by Mitch Mosk
Debut, Music, ReviewsApril 30, 2024<April 30, 2024 Review: Riley Mulherkar’s Creative Chops Are on Full Display on Impressive Solo Debut ‘Riley’ by Jake Fewx
Features, Interviews, MusicApril 30, 2024<April 30, 2024 “We are ultimately pioneers of our own sound”: Oxford Legends Ride Discuss Their Adventurous 7th Album ‘Interplay’ by Kevin Cost
For the Love of Music
For the Love of Music
