Music, ReviewsJuly 24, 2024<July 24, 2024 Review: Enigmatic Neo-Soul Collective Sault Peel Back Layers of Anonymity on Charming & Lush Surprise Album, ‘Acts of Faith’ by Jake Fewx
Features, Interviews, MusicJuly 24, 2024<July 24, 2024 Interview: Mistine’s ‘Lonely’ EP Is a Breezy Collection That Conjures a Multitude of Emotions by Chloe Robinson
Interviews, MusicJuly 24, 2024<July 24, 2024 Interview: Sheffield’s Joe Carnall Jnr Dials Up the Arctic Monkeys for Good Cop Bad Cop’s Sophomore LP ‘Welcome to the Marble Zone’ by Josh Weiner
Features, Interviews, MusicJuly 23, 2024<July 23, 2024 Interview: Cereus Bright’s Tyler Anthony on Uprooting His Life and the Expansive New Album He Created in the Process by Aaron Childree
Music, Reviews, Track-by-TrackJuly 23, 2024<July 30, 2024 Track-by-Track: Clairo Holds Her Heart Out on Third Album ‘Charm’ by Marc Maleri
Features, Interviews, MusicJuly 23, 2024<July 24, 2024 “Warmth, Texture, & Organic Sounds”: Role Model Takes Us Home With Cozy and Effervescent ‘Kansas Anymore’ by Kelly McCafferty Dorogy
Columns, Music, Nostalgia TracksJuly 18, 2024<July 18, 2024 Nostalgia Tracks: Diving into All the Glamor and the Trauma of Lorde’s ‘Melodrama’ by Emma Rayder
Interviews, MusicJuly 18, 2024<July 11, 2024 Interview with China Forbes of Pink Martini: On ‘The Road’ Back to Solo Record-Making After 15 Years Away by Josh Weiner
Features, Interviews, MusicJuly 17, 2024<July 23, 2024 Interview: The Greeting Committee Cycle from Pondering to Pop with ‘Everyone’s Gone and I Know I’m the Cause’ by Madeleine Eggen
Features, Interviews, MusicJuly 16, 2024<July 11, 2024 Interview: Lime Cordiale Discuss New Concept Album, Tall Poppy Syndrome, & Their Pledge to Change an “Unchangable Industry” by Liv Goodbody
6.8 Music, Our Take, ReviewsJuly 16, 2024<July 15, 2024 Our Take: Eminem Delivers Respectable Late-Career Effort on ‘The Death of Slim Shady’ by Josh Weiner
Features, Music, Reviews, RoundtableJuly 16, 2024<August 5, 2024 Roundtable Discussion: A Review of Camila Cabello’s ‘C,XOXO’ by Atwood Magazine Staff
Music, ReviewsJuly 16, 2024<July 15, 2024 Review: Instrumental Duo O. Forge a Raw, Visceral, & Enthralling Sound on Epic Debut ‘WeirdOs’ by Jake Fewx
Debut, Features, Interviews, MusicJuly 15, 2024<March 2, 2025 Interview: Caleb Hearn Discusses Finding His Sound, Navigating TikTok, & Debut Album ‘Left on McKinney’ by Aaron Childree
Artist to Watch, Features, Interviews, MusicJuly 11, 2024<July 11, 2024 “A voyage of grief, pain, and loss”: mercury’s Maddie Kerr Talks Songwriting, Raw Emotion, & ‘Together We Are One, You and I’ by Mitch Mosk