Features, Interviews, MusicJuly 10, 2024<July 10, 2024 “You always wanted me to write one”: Karley Scott Collins Discusses Her Heavy Metal Influenced EP, ‘Write One’ by Emily Frances Algar
8.9 Music, Our Take, ReviewsJuly 9, 2024<July 9, 2024 A Heartfelt Heartbreakers Homage: ‘Petty Country (A Country Music Celebration of Tom Petty)’ Hits Home by Christine Buckley
Interviews, Music, ReviewsJuly 9, 2024<July 9, 2024 Interview: Maia Kamil’s Second Album ‘You’re Not Here You’re Everywhere’ Unravels Layers of Love & Loss by Guest Writer
Features, Music, Reviews, RoundtableJuly 9, 2024<July 9, 2024 Roundtable Discussion: A Review of Gracie Abrams’ ‘The Secret of Us’ by Atwood Magazine Staff
Features, Interviews, MusicJuly 8, 2024<July 8, 2024 “A high energy palliative”: Ripe’s Robbie Wulfsohn Reflects on One Year of the Band’s Triumphant ‘Bright Blues’ by Mitch Mosk
Debut, Features, Interviews, MusicJuly 3, 2024<July 3, 2024 “Our lives were only a blimp”: Sarah Kinsley Talks Endings, Beginnings, and Her Cinematic & Celebratory Debut Album by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 2, 2024<July 2, 2024 Feature: ‘Now That’s What I Call Fantastic Cat’ Is a Stunning Show of Hope & Humanity from Folk Rock Supergroup Fantastic Cat by Mitch Mosk
Debut, Music, ReviewsJuly 2, 2024<July 2, 2024 Review: Sleepwalker’s Self-Titled EP Is an Emotive & Burning Assortment Not to Be Slept on by Chloe Robinson
Features, Interviews, MusicJuly 2, 2024<September 5, 2025 “Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’ by Nasim Elyasi
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024 Roundtable Discussion: A Review of The Marías’ ‘Submarine’ by Atwood Magazine Staff
Features, Interviews, MusicJune 28, 2024<June 29, 2024 “The goal was to make something sweet, raw, and direct”: Medium Build Discusses His Achingly Beautiful Album, ‘Country’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJune 28, 2024<June 28, 2024 Track-by-Track: Alfie Templeman’s ‘Radiosoul’ Is a Soaring, Spirited Coming-of-Age Triumph by Mitch Mosk
Features, Interviews, MusicJune 28, 2024<June 29, 2024 Interview: The Warning Discuss New Album ‘Keep Me Fed’ and Its Themes of Excess & Overindulgence by Kendall Graham
Music, ReviewsJune 28, 2024<June 28, 2024 Review: Queen of Jeans Journey Through Love & Heartache on ‘All Again’ by James Crowley
Features, Interviews, Music, Track-by-TrackJune 27, 2024<June 27, 2024 “Transient, Introspective, & Cinematic”: cehryl Delves into the Intimate World of ‘willow tree,’ Her Soul-Stirring Third Album by Mitch Mosk