Debut, Interviews, MusicJanuary 5, 2024<January 5, 2024 Interview: Nashville’s Vinnie Paolizzi Raises the Standard for Songwriting in Self-Titled Debut LP by Lauren Hicks
Interviews, Mistletones, MusicDecember 22, 2023<December 22, 2023 Interview: Amerigo Gazaway on ‘Another Christmas Album,’ His Fun Hip-Hop Holiday Adventure by Mitch Mosk
Features, Interviews, MusicDecember 20, 2023<December 20, 2023 Interview: Raleigh’s Truth Club on Genre, Inspiration, & the Spice of Variety by Guest Writer
8.6 Music, Our Take, ReviewsDecember 19, 2023<December 19, 2023 Our Take: Nicki Minaj Maintains Her “Queen of Rap” Crown on ‘Pink Friday 2’ by Josh Weiner
Music, Reviews, This Just InDecember 18, 2023<December 18, 2023 Lil Dicky Shoots His Shot in “Mr. McAdams,” the Charmingly Smooth Lead Single Off ‘PENITH (The DAVE Soundtrack)’ by Mitch Mosk
Features, Interviews, Mistletones, MusicDecember 18, 2023<January 9, 2025 “Christmas is an emotional treasure chest”: Switchfoot’s Jon Foreman on Finding the Holiday Spirit With ‘this is our Christmas album’ by Mitch Mosk
Features, Interviews, Mistletones, MusicDecember 18, 2023<December 18, 2023 “I can literally smell Christmas is coming”: Joss Stone Wishes All a ‘Merry Christmas, Love’ on Her Classic, Soulful Christmas Album by Mitch Mosk
Columns, Music, Today's SongDecember 16, 2023<December 15, 2023 Johnny Orlando Ends ‘The Ride’ With “Close to You” & “Thinking of Me,” a Poignant & Vulnerable Production by Lauren Hicks
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023 Track-by-Track: Firewoodisland Enchant & Inspire on Achingly Intimate EP, ‘As Long As I Go’ by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 15, 2023<December 15, 2023 “Intimate, Vulnerable, & Gay”: Hayfitz Dwells in the Unrequited Depths of ‘Everything Else,’ His Dreamy Sophomore LP by Mitch Mosk
Features, Interviews, MusicDecember 14, 2023<December 14, 2023 “Clear, Honest, & Deliberate”: Dublin’s milk. Dwell in Identity Crises on Enthralling ‘3, the EP.’ by Mitch Mosk
Features, Interviews, MusicDecember 14, 2023<January 5, 2024 “An emotional release in every way”: Cold War Kids’ Nathan Willett Reflects on 20 Years of Indie Rock Underdogdom by Mitch Mosk
Interviews, MusicDecember 13, 2023<December 13, 2023 Interview: Meet Movie Club, a Venice Beach Duo Chomping Down Hard with New LP ‘Great White’ by Josh Weiner
Features, Interviews, MusicDecember 13, 2023<December 13, 2023 “It felt like making an album in Xanadu”: Phoenix’s Thomas Mars on ‘Alpha Zulu,’ Recording Music in The Louvre, & More by Mitch Mosk
Features, Interviews, Music, Track-by-TrackDecember 12, 2023<December 12, 2023 Feature: Squirrel Flower’s Ella Williams Unpacks the Passion, Raw Fervor, & “Heavy Witch Rock” of ‘Tomorrow’s Fire’ by Mitch Mosk
For the Love of Music
For the Love of Music
