Columns, Music, Today's SongJanuary 12, 2026<January 12, 2026 “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory by Ashley Littlefield
Interviews, Music, Today's SongJanuary 11, 2026<January 11, 2026 “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” by Mitch Mosk
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026 “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” by Mitch Mosk
Columns, Features, Music, Weekly RoundupJanuary 9, 2026<January 9, 2026 Atwood Magazine’s Weekly Roundup: January 9, 2026 by Atwood Magazine Staff
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026 “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” by Mitch Mosk
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026 Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread by Mitch Mosk
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026 “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” by Mitch Mosk
Music, ReviewsJanuary 7, 2026<January 7, 2026 “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ by Ashley Littlefield
Interviews, MusicJanuary 7, 2026<January 9, 2026 Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music by Aileen Goos
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026 “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” by Mitch Mosk
Features, Lists, MusicJanuary 7, 2026<January 8, 2026 The Best Music of 2025, According to Our Favorite Artists! by Atwood Magazine Staff
Features, Interviews, MusicJanuary 6, 2026<January 6, 2026 Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’ by Kelly McCafferty Dorogy
Essays, MusicJanuary 6, 2026<January 5, 2026 Essay: Roll Over Beethoven, Tell Tchaikovsky the News! by Guest Writer
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026 “Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap” by Mitch Mosk
For the Love of Music
For the Love of Music
