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Features, Interviews, MusicJuly 25, 2025<July 25, 2025 Interview: Bella Rios Finds Her Voice in ‘Right Now,’ a Pop-Rock Diary of Growing Up and Letting Go by Aileen Goos
Artist to Watch, Features, Interviews, MusicJuly 24, 2025<July 24, 2025 “I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025 “I wanted this record to sound like truth”: Charlotte OC Reclaims Herself on ‘Seriously Love, Go Home,’ a Record of Reckoning, Release, & Hard-Won Clarity by Mitch Mosk
Features, Interviews, Music, Track-by-TrackJuly 24, 2025<July 24, 2025 “Gentle Songs for a Loud World”: Stars’ Amy Millan Shines on ‘I Went to Find You,’ a Spiritual & Spellbinding Solo Album Rooted in Memory, Grief, & Grace by Mitch Mosk
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Music, PremieresJuly 23, 2025<July 23, 2025 Premiere: Olina’s “Newspaper Smell” Is a Raw, Raucous Reckoning with Class, Chaos, & First-Gen Dread by Mitch Mosk
8.7 Music, Our Take, ReviewsJuly 23, 2025<July 23, 2025 Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’ by Emily Frances Algar
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025 Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs by Mitch Mosk
Columns, Music, Today's SongJuly 22, 2025<July 22, 2025 “I was born to fly, but baby, I would die to run”: mgk’s Genre-Blending Magic Continues with “vampire diaries” by Danielle Holian
Interviews, MusicJuly 21, 2025<July 21, 2025 Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name by Mitch Mosk
Debut, Music, Reviews, Track-by-TrackJuly 21, 2025<July 21, 2025 A Storm After the Drought: Charlotte Lawrence’s Debut LP ‘Somewhere’ Is a Pop Revelation by Nicolle Knapová
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For the Love of Music
For the Love of Music
