Features, Lists, MusicSeptember 30, 2024<October 3, 2024 The Best Albums of 2024 (So Far) by Atwood Magazine Staff
Features, Music, Reviews, RoundtableJuly 1, 2024<July 1, 2024 Roundtable Discussion: A Review of The Marías’ ‘Submarine’ by Atwood Magazine Staff
Columns, Music, Today's SongJune 13, 2024<June 13, 2024 Today’s Song: The Marías Explore Intoxicating Detachment in “No One Noticed” by Marc Maleri
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024 Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth” by Olivia Martinez
Artist to Watch, Features, Lists, MusicFebruary 12, 2024<February 15, 2024 Atwood Magazine’s 2024 Artists to Watch by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupDecember 1, 2023<December 1, 2023 Atwood Magazine’s Weekly Roundup: December 1, 2023 by Atwood Magazine Staff
Columns, Features, Music, Weekly RoundupJune 2, 2023<June 2, 2023 Atwood Magazine’s Weekly Roundup: June 2, 2023 by Atwood Magazine Staff
Features, Festival, Music, PreviewsSeptember 16, 2021<November 10, 2021 (Y)Our Guide to Treefort Music Fest 2021! by Atwood Magazine Staff
Debut, Features, Interviews, MusicSeptember 8, 2021<February 7, 2022 Cerebral Slideshows: The Marías Marry the Arts of Film and Music in Expansive Debut LP ‘CINEMA’ by Anthony Kozlowski
Columns, Music, Today's SongMay 5, 2021<May 5, 2021 The Marías’ Spellbinding “Hush” Proves a Thrilling First Look at Debut ‘Cinema’ by Mitch Mosk
For the Love of Music
For the Love of Music
