Music, ReviewsApril 8, 2026<April 8, 2026 Raye’s ‘THIS MUSIC MAY CONTAIN HOPE.’ Is Cinematic Pop That Dazzles and Delivers by Danielle Holian
Interviews, MusicApril 7, 2026<April 6, 2026 “I’m listening to me this time”: Brit Taylor Trusts the Signs on ‘Land of the Forgotten’ by Aileen Goos
Features, Music, Reviews, RoundtableApril 6, 2026<April 6, 2026 Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ by Atwood Magazine Staff
Interviews, MusicApril 6, 2026<April 6, 2026 Joshua Quimby Is Redefining What It Means to Be Country by Jason Bauer
Music, ReviewsApril 6, 2026<April 6, 2026 Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld by Danielle Holian
Music, ReviewsApril 6, 2026<April 6, 2026 The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ by David Buyze
Music, ReviewsApril 3, 2026<April 3, 2026 The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through by Danielle Holian
Music, ReviewsApril 3, 2026<April 3, 2026 MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ by Aileen Goos
Interviews, MusicApril 1, 2026<April 2, 2026 “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ by Aileen Goos
Interviews, Music, Today's SongMarch 31, 2026<March 31, 2026 “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry by Mitch Mosk
Interviews, MusicMarch 30, 2026<March 30, 2026 Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight by Josh Weiner
Interviews, Music, Track-by-TrackMarch 30, 2026<March 30, 2026 “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ by Aileen Goos
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Music, Reviews, RoundtableMarch 27, 2026<March 27, 2026 Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’ by Atwood Magazine Staff
Interviews, Music, PremieresMarch 26, 2026<March 26, 2026 “In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie by Mitch Mosk
For the Love of Music
For the Love of Music
