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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

IYES
Columns, Music, Reviews, Today's SongNovember 20, 2015<November 20, 2015

“Can’t Feel My Face”: Even Better as a Duet?

What's Inside: Songs from Waitress - Sara Bareilles 8.7
Music, Our Take, ReviewsNovember 13, 2015<September 5, 2023

What’s Inside? Another Round of Great Fun from Sara Bareilles

Big Grams 7.3
Debut, Music, Our Take, ReviewsOctober 28, 2015<September 5, 2023

Hip-Hop, Electronica Collide in Cool Style on “Big Grams”

Dr. Dre © Scott Council 8.1
Features, Music, ReviewsAugust 26, 2015<September 5, 2023

Return of the King: Dr. Dre’s “Compton: A Soundtrack”

Features, Music, ReviewsJune 22, 2015<June 22, 2015

Music Styles Clash Aloud In Yelawolf’s “Love Story”

Southpaw (Music from and Inspired by the Motion Picture)
Columns, Music, Today's SongJune 15, 2015<June 15, 2015

Today’s Song: “Phenomenal” by Eminem

Posts pagination
1 … 17 18 19

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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  • New Music Releases
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • 2025 Artists to Watch
  • Get Involved
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