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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Eminem - 'Kamikaze' © 2018
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018

Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?

Queen - Nicki Minaj 7.9
Features, Music, Our Take, ReviewsAugust 17, 2018<August 17, 2023

Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering

GORILLAZ © J.C. Hewlett
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018

Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”

Nasir - Nas 7.1
Music, Our Take, ReviewsJune 26, 2018<January 19, 2022

Our Take: Nas’ NASIR Proves a Palatable Rough Draft

The Analog Affair Avalanche © Evan Baker
Music, PremieresJune 21, 2018<June 21, 2018

Premiere: Smoky Seduction in The Analog Affair’s Hazy “Monsters”

PremieresMay 24, 2018<May 24, 2018

Premiere: Jordan Galland’s Many Talents Shine in “Down With Me” Video

Lovecoast © Berkley Vopnfjord
Debut, Features, Music, PremieresApril 20, 2018<April 20, 2018

Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat

Angela Josephine © John Mark Hanson
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent

Revival - Eminem
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018

Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions

Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

Carnival III - Wyclef Jean 8
Music, Our Take, ReviewsNovember 2, 2017<September 5, 2023

Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’

Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

TLC - TLC album art
Music, Our Take, ReviewsAugust 8, 2017<August 8, 2017

Our Take: TLC Return for a Strong Curtain Call

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Recent Posts

  • “You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind” April 23, 2026
  • “Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP April 23, 2026
  • “Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song April 23, 2026
  • Today’s Song: Curls Ultra’s “Vegas (Mandalay Bay)” Is More Than Love and Yearning April 23, 2026
  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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