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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

YSIV - Logic 7.9
Music, Our Take, ReviewsNovember 8, 2018<October 16, 2024

Our Take: Logic Continues to Dazzle on Consistently Impressive ‘YSIV’

Eminem - 'Kamikaze' © 2018
Music, Our Take, ReviewsOctober 5, 2018<October 5, 2018

Our Take: With ‘Kamikaze’, Maybe Slim Shady Does Care What You Think, For Once?

Queen - Nicki Minaj 7.9
Features, Music, Our Take, ReviewsAugust 17, 2018<August 17, 2023

Our Take: The ‘Queen’ Reigns Supreme on Nicki Minaj’s Regal Fourth Offering

GORILLAZ © J.C. Hewlett
Music, Our Take, ReviewsJuly 27, 2018<July 27, 2018

Our Take: Ever Enjoyable & Inventive, Gorillaz Returns with “The Now Now”

Nasir - Nas 7.1
Music, Our Take, ReviewsJune 26, 2018<January 19, 2022

Our Take: Nas’ NASIR Proves a Palatable Rough Draft

The Analog Affair Avalanche © Evan Baker
Music, PremieresJune 21, 2018<June 21, 2018

Premiere: Smoky Seduction in The Analog Affair’s Hazy “Monsters”

PremieresMay 24, 2018<May 24, 2018

Premiere: Jordan Galland’s Many Talents Shine in “Down With Me” Video

Lovecoast © Berkley Vopnfjord
Debut, Features, Music, PremieresApril 20, 2018<April 20, 2018

Album Premiere: Take ‘The Trip’ with Lovecoast and Bask in a Soulful Heat

Angela Josephine © John Mark Hanson
Music, PremieresMarch 29, 2018<March 29, 2018

Premiere: “Got to Believe” in Angela Josephine’s Folk Rock Talent

Revival - Eminem
Music, Our Take, ReviewsJanuary 8, 2018<January 8, 2018

Our Take: Eminem’s ‘Revival’ Is Low on Highlights, High on Dubious Decisions

Walk on Water - Eminem
Columns, Music, Reviews, Today's SongNovember 27, 2017<November 27, 2017

Today’s Song: Eminem and Beyoncé’s “Walk on Water” Is Not Miraculous, but Still a Heartfelt Effort

Liam Gallagher © RANKIN 8
Music, Our Take, ReviewsNovember 21, 2017<September 5, 2023

Our Take: No More Oasis, No Worries for Liam Gallagher on ‘As You Were’

Carnival III - Wyclef Jean 8
Music, Our Take, ReviewsNovember 2, 2017<September 5, 2023

Our Take: Wyclef Jean Displays Heart and Expertise on ‘Carnival III’

Music, Our Take, ReviewsSeptember 28, 2017<September 28, 2017

Our Take: Vince Staples Avoids the Sophomore Slump with the Stunning ‘Big Fish Theory’

Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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