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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Overview Effect - Jermiside & The Expert
Features, Interviews, Music, Track-by-TrackMay 11, 2022<November 1, 2022

“Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’

dani mack © 2022
Columns, Music, Premieres, Today's SongMay 10, 2022<May 10, 2022

Today’s Song: The Emotional Wreckage of dani mack’s Tender Tempest, “Someday”

LØLØ © Conner Sorensen
Columns, Music, Today's SongMay 9, 2022<May 9, 2022

Today’s Song: LØLØ’s Feverish “junkie” Is a Love-Fueled, Pop-Punk Reckoning

girlhouse © Alex Justice
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Coming to Grips with Reality: girlhouse’s Lauren Luiz Shares the Influences & Inspirations Behind Unfiltered ‘the third ep’

Sadurn © 2022
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2022<May 6, 2022

Feature: Philly’s Sadurn Light an Indie Folk Fire on Intimate Debut Album ‘Radiator’

flor "Future Shine" © Ashley Osborn
Features, Music, Reviews, Track-by-TrackMay 6, 2022<September 29, 2022

“Staring into the Sun”: Inside flor’s Radiantly Bold & Buoyant Third Album ‘Future Shine’

brompton & Emilia Ali
Music, PremieresMay 5, 2022<May 6, 2022

Premiere: brompton & Emilia Ali Capture Intimacy’s Raw Intensity on “Empty,” an Emotionally Charged Eruption

John Mark Nelson © Molly Adams
Features, Interviews, Music, Track-by-TrackMay 5, 2022<May 5, 2022

“Reduce, Reuse, Recycle”: John Mark Nelson Inspires & Ignites on His Enchanting ‘Hideaway’ EP

Letting Up Despite Great Faults © Elysia Perkins
Columns, Music, Today's SongMay 5, 2022<May 5, 2022

Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm

Last Dinosaurs © Luke Woodfield
Music, PremieresMay 5, 2022<May 5, 2022

Premiere: Last Dinosaurs’ Radiant “CDMX” Is a Loving Ode to Mexico City

Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

Atwood Magazine's Editor's Picks 62
Columns, Editor's Picks, Features, MusicMay 4, 2022<May 4, 2022

Editor’s Picks 62: Poppy Ajudha, Purr, beabadoobee, Maria Chiara Argirò, Joel Jerome, & Noah Slee!

POP ETC © Alex Welsh
Columns, Music, Today's SongMay 4, 2022<May 4, 2022

POP ETC Navigate the Past & Present on “Slips Away,” a Radiant Song of Reckoning & Reflection

Fortunate Ones © Adam Hefferman
Music, PremieresMay 4, 2022<May 4, 2022

“A four-minute lifetime”: Fortunate Ones’ Beautifully Tender Love Song, “Anchor”

Good Looks © John Bergin
Debut, Features, Interviews, Music, Track-by-TrackMay 4, 2022<May 5, 2022

Basking in ‘Bummer Year’: Austin’s Good Looks Dive into Their Honest & Spirited Debut Album

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