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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Max Frost © JT Boehme
Features, Interviews, Music, Track-by-TrackMay 12, 2022<June 29, 2022

“Electric Love Nostalgia”: Max Frost Dreams Big & Soars on Irresistible, Free-Spirited ‘Flying Machines’ EP

Valley © Becca Hamel
Columns, Music, Today's SongMay 12, 2022<May 12, 2022

Today’s Song: Valley’s Buoyant & Bubbly “CHAMPAGNE” Is the Anthem We All Need Right Now

Maeve Steele © Swoon
Music, PremieresMay 12, 2022<May 12, 2022

Premiere: Maeve Steele’s Sun-Kissed “slow down” Shines Like a Soft Summer Breeze

Chelsea Jade © Oscar Keys
Features, Interviews, Music, Track-by-TrackMay 11, 2022<June 12, 2022

“Snap, Crackle, Pop”: Chelsea Jade Dives Inside Her Stunningly Vulnerable ‘Soft Spot’

The Overview Effect - Jermiside & The Expert
Features, Interviews, Music, Track-by-TrackMay 11, 2022<November 1, 2022

“Psychedelic Social Commentary”: Inside Jermiside & The Expert’s Urgent & Impassioned ‘The Overview Effect’

dani mack © 2022
Columns, Music, Premieres, Today's SongMay 10, 2022<May 10, 2022

Today’s Song: The Emotional Wreckage of dani mack’s Tender Tempest, “Someday”

LØLØ © Conner Sorensen
Columns, Music, Today's SongMay 9, 2022<May 9, 2022

Today’s Song: LØLØ’s Feverish “junkie” Is a Love-Fueled, Pop-Punk Reckoning

girlhouse © Alex Justice
Features, Interviews, MusicMay 9, 2022<May 10, 2022

Coming to Grips with Reality: girlhouse’s Lauren Luiz Shares the Influences & Inspirations Behind Unfiltered ‘the third ep’

Sadurn © 2022
Debut, Features, Interviews, Music, Track-by-TrackMay 6, 2022<May 6, 2022

Feature: Philly’s Sadurn Light an Indie Folk Fire on Intimate Debut Album ‘Radiator’

flor "Future Shine" © Ashley Osborn
Features, Music, Reviews, Track-by-TrackMay 6, 2022<September 29, 2022

“Staring into the Sun”: Inside flor’s Radiantly Bold & Buoyant Third Album ‘Future Shine’

brompton & Emilia Ali
Music, PremieresMay 5, 2022<May 6, 2022

Premiere: brompton & Emilia Ali Capture Intimacy’s Raw Intensity on “Empty,” an Emotionally Charged Eruption

John Mark Nelson © Molly Adams
Features, Interviews, Music, Track-by-TrackMay 5, 2022<May 5, 2022

“Reduce, Reuse, Recycle”: John Mark Nelson Inspires & Ignites on His Enchanting ‘Hideaway’ EP

Letting Up Despite Great Faults © Elysia Perkins
Columns, Music, Today's SongMay 5, 2022<May 5, 2022

Today’s Song: Letting Up Despite Great Faults’ “She Spins” Shimmers with Dream Pop Charm

Last Dinosaurs © Luke Woodfield
Music, PremieresMay 5, 2022<May 5, 2022

Premiere: Last Dinosaurs’ Radiant “CDMX” Is a Loving Ode to Mexico City

Evan Veasey © Tori Essex
Debut, Features, Music, Premieres, Track-by-TrackMay 4, 2022<May 4, 2022

“Let Yourself Feel”: Singer/Songwriter Evan Veasey Premieres His Intimate & Vulnerable Debut Album, ‘Don’t Cry’

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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