• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Asha Maclean © Amadeus Purcell
Music, Music Videos, PremieresMarch 1, 2022<March 1, 2022

Video Premiere: NYC’s Asha Maclean Pours Her Heart Out in Empowering “Serial F Boy” (Acoustic Version)

Similar Kind © Tom Stewart
Music, PremieresFebruary 28, 2022<February 28, 2022

Premiere: Dancing in the Beautiful Depths of Similar Kind’s Buoyant & Bold “I Don’t Wanna Fight Anymore”

Dust In The Sunlight © Rob Humm
Columns, Music, Today's SongFebruary 28, 2022<February 28, 2022

Today’s Song: Dust in the Sunlight Shine with “Former Lives,” an Anchor of Escape & Rediscovery

Under the Rug © 2022
Features, Music, Reviews, Track-by-TrackFebruary 25, 2022<February 25, 2022

“Salty, Colorful, & Intricate”: Under the Rug’s Aching ‘Dear Adeline’ Is a Record of Reckoning & Perseverance

June Road © Charlene van Hall
Columns, Debut, Music, Today's SongFebruary 25, 2022<February 25, 2022

Today’s Song: June Road “Seize the Day” on Captivating, Spirited Indie Folk Debut

Liam Benzvi © 2022
Debut, Features, Music, Reviews, Track-by-TrackFebruary 24, 2022<February 24, 2022

“Swell, Hum, & Oops”: Liam Benzvi Charms with Dynamic & Dazzling Debut Album ‘Acts of Service’

Molly Burman © Sarah Beshiri
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Molly Burman Confronts Perfection on Beautiful, Empowered & Liberating “Pretty Girl”

Andy Zipf © Shervin Lainez
Music, PremieresFebruary 24, 2022<February 24, 2022

Premiere: Inside Andy Zipf’s Tranquil & Stirring New Single, “Did You Know I Was A Ghost?”

Grow This Garden - For Tuesday, Emorie
Columns, Music, Today's SongFebruary 23, 2022<February 23, 2022

Today’s Song: For Tuesday & Emorie Evoke Quiet Indie Folk Wonder in “Grow This Garden”

Lawrence live in NYC © Deanie Chen
Features, Music, Reviews, Track-by-TrackFebruary 23, 2022<February 23, 2022

Track-by-Track: Lawrence’s ‘Hotel TV’ Is an Epic, Quirky & Soulful Soundtrack to Everyday Living

Melody Federer © 2022
Music, PremieresFebruary 23, 2022<February 23, 2022

Premiere: The Tender, Heartwrenching Ache of Melody Federer’s “Sometimes I Cry”

Erisy Watt © Hannah Garrett
Music, PremieresFebruary 22, 2022<February 22, 2022

Premiere: Singer/Songwriter Erisy Watt’s “Big Sky” Relishes the Warm Bliss of Freedom

Jared Lindbloom © Marcus Middleton
Music, PremieresFebruary 22, 2022<April 13, 2022

Premiere: Pink Honey Moan’s Dynamic “Make Believe” Is a Song of Truth, Layers, & Understanding

Weatherstate © 2022
Features, Music, Reviews, Track-by-TrackFebruary 18, 2022<February 18, 2022

“Chaotic, Apathetic, & Melodic”: Weatherstate Take Us Through the Fervor of New Album ‘Never Better’

B-Drop
Music, PremieresFebruary 18, 2022<February 18, 2022

Premiere: B-Drop Worldwide Showcases LA’s Not From England

Posts pagination
1 … 115 116 117 118 119 … 306

Recent Posts

  • “Can We Stop Pretending That It’s All So Good?”: Sleeping With Sirens Return to Glory with “An Ending In Itself” July 16, 2026
  • “Too Cool to Smile”: Otlo Dreams Bigger on His Heartfelt Album ‘A Boy Can Dream’ July 16, 2026
  • “Falling in Love With the Chaos”: GIMMY’s Gemma Owens on Refusing to Be Molded by the Music Industry and Their Latest ‘Labour of Love’ July 16, 2026
  • “Metallic, Pure, & Sincere”: cyanotype Expose Their Inner Turmoil on Debut EP ‘the urge becomes the trigger’ July 16, 2026
  • “I Am the Best Artist I’ve Ever Been”: 44phantom Breaks Through on ‘IN RETROSPECT,’ a Raw, Bruising Reckoning With Himself July 16, 2026
  • “Yearning Season’s Here”: GRESLEY Lays His Heart Bare on ‘Songs I Wrote Since She Left,’ an Achingly Intimate Portrait of Love Under Strain July 15, 2026
  • Let’s Create Again: Joe Strummer, the Rare Rock Star Who Didn’t Seem Changed by Fame July 15, 2026
  • Our Take: Suki Waterhouse Boldly Explores the Facets of Romance on ‘Loveland’ July 15, 2026
  • “Blood Ties” and Hard Truths: Rowena Wise Is Making Peace With the Mess of Being Human Through Smoldering, Unflinching Indie Folk Songs July 15, 2026
  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services