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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

No Frills © Andrew McGill
Music, Music Videos, PremieresJanuary 31, 2022<January 31, 2022

Premiere: Toronto’s No Frills Explore Identity & Emulation in Buoyant “Copy Cat”

Atwood Magazine Editor's Picks 54
Columns, Editor's Picks, Features, MusicJanuary 28, 2022<June 6, 2022

Editor’s Picks 54: Nilüfer Yanya, Jack White, NewDad, Public Domain, Foxes, & Sunflower Thieves

Fergus © Matthew Thorne
Columns, Music, Today's SongJanuary 28, 2022<January 28, 2022

Today’s Song: Fergus Finds Redemption in Our Raw Depths on Tender Reeling “Flatline”

Sara Rachele © 2022
Music, PremieresJanuary 27, 2022<January 27, 2022

Premiere: Sara Rachele Basks in a Moment of Intimate Reverie on “T-T-Tonight”

Outer Ego - The fin.
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<January 27, 2022

“Universe, Pain, & Love”: A Track-by-Track Breakdown of The fin.’s Kaleidoscopic Album ‘Outer Ego’

Verb Tec © Sahar Coston-Hardy
Features, Music, Reviews, Track-by-TrackJanuary 27, 2022<February 7, 2022

“From the Muscle”: Verb Tec & Vanderslice’s ‘No Struggle No Progress’ Is an Undeniable Record of Ambition & Triumph

Olly Olly - Penny and Sparrow
Features, Music, Reviews, Track-by-TrackJanuary 26, 2022<January 26, 2022

“Being Here Now”: Penny and Sparrow Soar on ‘Olly Olly’, Their Free-Spirited & Triumphant 7th Album

Novaa © Rebecca Kraemer
Music, Music Videos, PremieresJanuary 26, 2022<January 26, 2022

Premiere: Novaa’s “The World’s Thing” Is a Mesmeric Alt-Pop Ode to Indifference & Apathy

Jessie Reid © Emilie Cotterill
Artist to Watch, Music, PremieresJanuary 26, 2022<January 26, 2022

Artist to Watch: Shropshire’s Jessie Reid Blooms in Soft, Stirring New Single “Other Hand”

Jake Benjamin © Rachel Rodgers
Music, PremieresJanuary 25, 2022<January 25, 2022

Premiere: Accepting Our Anxiety with Jake Benjamin’s Tender New Single, “It Comes As a Friend” (ft. Carey Clayton)

Glass Echoes © 2022
Debut, Features, Music, Reviews, Track-by-TrackJanuary 25, 2022<January 24, 2022

“Nebulous, Haven, Healing”: Glass Echoes Stun with Fragile & Cinematic Debut Album ‘Breathe’

Water Your Garden – Magic City Hippies
Features, Music, Reviews, Track-by-TrackJanuary 21, 2022<February 7, 2022

“Water Your Garden”: Magic City Hippies Go Track-by-Track Through Buoyant, Seductive New Album

TRISHES © Alejandra Ocampo
Debut, Features, Interviews, MusicJanuary 21, 2022<August 12, 2022

Exploring Our Primal Selves: TRISHES Dives into Her “Raw, Vivid, & Emotional” Debut Album ‘The Id’

Atwood Magazine Editor's Picks 53
Columns, Editor's Picks, Features, MusicJanuary 20, 2022<January 20, 2022

Editor’s Picks 53: Metronomy, Daisy the Great, Hembree, Yumi Zouma, Michelles, & Empath

Stephanie Poetri © Casper Yen
Columns, Music, Today's SongJanuary 20, 2022<January 20, 2022

Today’s Song: Stephanie Poetri’s “Picture Myself” Dwells in the Longing of Long Distance

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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