• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Still Alive - Alexz Johnson
Interviews, Music, PremieresMarch 6, 2020<March 13, 2020

Premiere: Alexz Johnson’s Stirring Anthem of Hope “Still Alive” Previews an Intimate 4th Studio Album

Atwood Magazine Editor's Picks 30
Columns, Editor's Picks, Features, MusicMarch 6, 2020<May 15, 2020

Editor’s Picks: March 6, 2020

The Flavians 2020
Debut, Features, Interviews, MusicMarch 5, 2020<March 5, 2020

Artist-to-Watch: Berlin’s The Flavians Turn the ‘Ordinary’ Extraordinary with Soul-Stirring Sound

Tia Gostelow © Jeff Andersen Jr
Music, PremieresMarch 4, 2020<March 4, 2020

Premiere: Queensland’s Tia Gostelow Returns with a “RUSH” of Fun & Frisky Indie Pop

Miro Shot "Half of Us" music video screenshot
Music, Music Videos, PremieresMarch 4, 2020<March 4, 2020

Premiere: Miro Shot’s Critical “Half of Us” Is a Dark Immersion of Technology

Music, Reviews, This Just InMarch 3, 2020<April 1, 2020

This Just In: The Airborne Toxic Event “Come on Out” with a Visceral Energy on First Song in 5 Years

KOYO
Music, PremieresMarch 3, 2020<March 3, 2020

Premiere: Leeds’ KOYO Inject Tension & Turbulence into Feverish Title Track “You Said It”

Love Thy Neighbour - Approachable Members Of Your Local Community
Music, ReviewsMarch 2, 2020<March 2, 2020

Approachable Members of Your Local Community Celebrate, Connect, & Grow with ‘Love Thy Neighbor’ EP

Overcoats © Shervin Lainez
Features, Interviews, MusicFebruary 28, 2020<March 6, 2020

Interview: Brooklyn Duo Overcoats Ignite with an Urgent and Irresistible “Fire & Fury”

Cameo - Swan Levitt
Music, Reviews, This Just InFebruary 28, 2020<February 28, 2020

Singer/Songwriter Swan Levitt Returns with Stunningly Visceral Song “Cameo”

Heartracer - Main Press shot (credit Chapin Mathews) - hi res
Music, Music Videos, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Heartracer’s Pulsing Power-Ballad “Darling” Conveys a Universal Truth

Color Theory © Kremer Johnson
Music, PremieresFebruary 27, 2020<February 27, 2020

Premiere: Color Theory’s “This Whole Nothing” Dwells in Radiant Synthwave Dreams

Atwood Magazine Editor's Picks 29
Columns, Editor's Picks, Features, MusicFebruary 26, 2020<March 6, 2020

Editor’s Picks: February 26, 2020

Little Hurt © Deanie Chen
Columns, Music, Today's SongFebruary 26, 2020<March 27, 2020

Colin Dieden’s Little Hurt Turns Pain into Beauty with “Better Drugs”

Heaven - Fretland
Music, PremieresFebruary 26, 2020<February 26, 2020

Premiere: Washington’s Fretland Emerge with Empathy, Passion, & Americana Warmth in “Heaven”

Posts pagination
1 … 195 196 197 198 199 … 313

Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services