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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Marinho © Marta Olive
Music, Music Videos, PremieresMarch 8, 2019<March 7, 2019

Premiere: Moving on Gracefully with Marinho’s Debut “Ghost Notes”

Jon and Roy © Sierra Lundy
Music, ReviewsMarch 7, 2019<March 7, 2019

Review: Jon and Roy Capture the Moment’s Energy in ‘Here’

Wolfchild © Kelsey Kundera
Music, PremieresMarch 7, 2019<March 7, 2019

Premiere: Tell Your Lover You Love Her with Wolfchild’s “Blood Moon”

Bluebiird © Emily Osment
Debut, Features, Music, PremieresMarch 7, 2019<October 2, 2019

Emily Osment Takes Flight in Bluebiird’s Debut “Black Coffee Morning”

Jacob and Fanny
Music, Music Videos, PremieresMarch 6, 2019<March 6, 2019

Premiere: Jacob and Fanny’s Passionate Embrace “Hold on to Me”

The Harmaleighs by Ruth Chapa
Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: Indie Rock Anxiety in The Harmaleighs’ “Sorry, I’m Busy”

The Wild State 2019
Debut, Music, PremieresMarch 6, 2019<March 6, 2019

Premiere: The Melancholic Beauty of The Wild State’s Longing “Youth”

Editors Picks 03-04-2019
Columns, Editor's Picks, Features, MusicMarch 5, 2019<March 8, 2019

Editor’s Picks: March 4, 2019

ØZWALD © Erick Frost
Music, PremieresMarch 5, 2019<March 5, 2019

Premiere: ØZWALD’s Catchy “As the Crow Flies” Is an Existential Beacon of Light

Firewoodisland © 2019
Music, PremieresMarch 5, 2019<May 3, 2023

Premiere: Firewoodisland’s Breathtakingly Beautiful Tempest, “Storm”

Cayucas © 2019
Music, Music Videos, PremieresMarch 5, 2019<March 5, 2019

Premiere: Cayucas Charm with Light & Love in “Jessica WJ”

Little Coyote © 2019
Music, PremieresMarch 4, 2019<March 5, 2019

Review: Abuse and Romance in Little Coyote’s Aching “Witness”

Ryan Von Gonten © 2019
Music, Music Videos, PremieresMarch 4, 2019<June 7, 2024

Premiere: The Hazy Bloom of Ryan Von Gonten’s “Corpse Flower”

Deep Water - Cape Francis
Music, Premieres, ReviewsMarch 1, 2019<March 2, 2019

Album Premiere: Cape Francis’ ‘Deep Water’ Is Raw Alternative Bliss

Donovan Woods © Matt Barnes
Features, Interviews, MusicFebruary 28, 2019<March 20, 2019

The Anxious, Liminal Life on the Road: An Interview with Donovan Woods

Posts pagination
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Recent Posts

  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
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  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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