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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Emily Blue © Kirsten Barnett
Music, Reviews, This Just InJuly 10, 2019<January 29, 2026

Emily Blue Embraces Imperfection in Fun, Frisky “Bad Decisions”

Inspired & the Sleep
Music, PremieresJuly 10, 2019<July 10, 2019

Premiere: Inspired & the Sleep’s Dreamy “Getting Through” Is a Vulnerable Struggle

Editor's Picks 17
Columns, Editor's Picks, Features, MusicJuly 9, 2019<July 23, 2019

Editor’s Picks: July 8, 2019

Good Service © Henry Austin
Music, PremieresJuly 9, 2019<July 9, 2019

Premiere: Good Service’s Fuzzy “Summer Muses” Reflects on Drugs, Friendship, and Fulfillment

Jess Clinton © Liz Maney
Music, PremieresJuly 9, 2019<July 9, 2019

Premiere: Jess Clinton’s Tender “Make It” Is a Light in the Dark

Lo Boii
Interviews, Music, PremieresJuly 9, 2019<July 10, 2019

Premiere: The Sensual Delight of Lo Boii’s Tantalizing Song “Chakra”

Emily Hackett © Lindsey Grace Whiddon
Music, Music Videos, PremieresJuly 8, 2019<July 8, 2019

Premiere: Heartache Reigns in Emily Hackett’s True Detective-Style “Easy” Music Video

Blithe © 2019
Features, Interviews, Music, This Just InJuly 5, 2019<January 10, 2020

Get “Masochistic” with Blithe’s Fun, Romantically Entangled Summer Jam

Ok Moon © 2019
Music, PremieresJuly 5, 2019<July 5, 2019

Premiere: Ok Moon Breathe Life & Raw Depth into Third Single “Hollow Tree”

Fade/Forget - Black Grapefruit
Features, Music, Reviews, Track-by-TrackJuly 5, 2019<July 5, 2019

Memory, Pain, and Healing: Black Grapefruit Dive into Their Exquisite ‘Fade/Forget’ EP

Hedara
Music, PremieresJuly 3, 2019<July 3, 2019

Premiere: Hedara’s Shiver-Inducing New Song “Frozen”

Andi Fins © Katja Aujesky
Music, Music Videos, PremieresJuly 2, 2019<July 2, 2019

Video Premiere: Andi Fins Balances Elation & Melancholy in “Stan’s Copycat”

Dead Yet - Gabriel Black Phem
Features, Music, Reviews, This Just InJune 28, 2019<August 20, 2019

The Restless Allure of Gabriel Black & phem’s Beautiful “dead yet”

Hayden Everett © Brandon Peterson
Debut, Music, PremieresJune 26, 2019<March 26, 2024

Premiere: Hayden Everett Marks His Turning Point in Hypnotic Debut “Color”

Atwood Magazine Editor's Picks 16
Columns, Editor's Picks, Features, MusicJune 25, 2019<July 23, 2019

Editor’s Picks: June 24, 2019

Posts pagination
1 … 203 204 205 206 207 … 303

Recent Posts

  • “Deep Falling Towards Myself Again”: Melbourne Duo Wishlist Drift, Pulse, & Unravel on the Hypnotic “I’m Sorry,” a Weightless Emotional Spiral June 6, 2026
  • “It Wasn’t a Typical Sad Song”: Sasha Joy Found a New Kind of Clarity on “Got You Something” June 5, 2026
  • “Life Is Much More Colorful”: Heddy Edwards Summons the Divine on ‘The Other Side of Hell Is a Heaven So Delicate’ June 5, 2026
  • “Drama Is Pleasure”: Flare and Fear from Planette Automatic’s Sparkling “Dance Around” June 4, 2026
  • “I Loved You Then and I Love You Now”: William Harries Graham Traces the Afterlife of Connection on “NYC,” a Brooding Ambient Folk Reverie from ‘Belrose Motel’ June 4, 2026
  • “This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release June 4, 2026
  • Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth! June 3, 2026
  • “The Alchemy Is Getting Stronger”: Montreal’s Art-Rock Band Museums Are Well Worth a Visit June 3, 2026
  • “Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit June 3, 2026
  • “Where’s the Optimist in Me?”: Oakwood Reflect on Bygone Days and Look to the Future on ‘Blurred Away’ June 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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