• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

LACES © Chris Wood Pictures
Music, PremieresOctober 4, 2018<October 10, 2018

Premiere: LACES Returns with Intimate, Vulnerable “someday is not tonight”

Tor Miller © Erica Snyder
Features, Music, Premieres, ReviewsOctober 3, 2018<October 3, 2018

Premiere: Tor Miller’s Moving ‘My Life Surviving the Suburbs’ Documentary

JØUR © Hilary Olson Photography
Debut, Features, Music, PremieresOctober 3, 2018<October 3, 2018

Album Premiere: JØUR’s Deep, Dark, and Irresistible Debut ‘Chiaroscuro’

Move Us - Anne Malin still
Music, Music Videos, PremieresOctober 2, 2018<October 2, 2018

Premiere: The Weight, Ache, and Intrepid Spirit of Anne Malin’s “Move Us”

YOY © Laura Campana
Debut, Features, Interviews, MusicOctober 2, 2018<October 2, 2018

Interview: YOY Debut with Immersive, Entrancing “Infinite” ft BIRTHH

Blood On The Floor - Jack KILLEN
Music, Music Videos, PremieresOctober 1, 2018<October 1, 2018

Premiere: Take a Step Back with Jack Killen’s Invigorating “Blood on the Floor”

Greg Holden © 2018
Features, Interviews, Music, Music Videos, PremieresOctober 1, 2018<October 10, 2018

Inspiration, Evolution, & “The Power Shift”: An Interview with Greg Holden

Violetta Zironi © Bettina Zironi
Music, Music Videos, PremieresSeptember 27, 2018<September 27, 2018

Premiere: Violetta Zironi’s Heartbreaking & Breathtaking Confession “Little Wound”

Wild - Dhruv Visvanath
Music, PremieresSeptember 27, 2018<September 27, 2018

Premiere: NDS Brings Wide-Eyed Wonder to Dhruv Visvanath’s “Wild” Remix

Tadhg Daly © Bradley O’Malley
Debut, Music, Music Videos, PremieresSeptember 26, 2018<February 20, 2019

Premiere: Freedom Rings in Tadhg Daly’s Anthemic Debut “Too Late”

Hello June album cover 9.1
Debut, Features, Music, PremieresSeptember 26, 2018<October 4, 2023

Album Premiere: The Intimate Alternative Warmth of Hello June’s Dazzling Debut Album

Nora Keyes © Leva Ann
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Love, Truth, and Beauty Reign Supreme in Nora Keyes’ “Kingdom of the Sun”

Katherine Redlus © Michael Amico Photography
Music, PremieresSeptember 25, 2018<September 25, 2018

Premiere: Self-Worth & Belonging in Katherine Redlus’ Enchantingly Ethereal “Welcome Home”

Pott County - Pony Creek © Aaron Gum
Music, Music Videos, PremieresSeptember 24, 2018<September 24, 2018

Premiere: Pony Creek’s Outlaw Fantasy “Pott County”

Aya Safiya © Tano Brock
Music, ReviewsSeptember 21, 2018<September 21, 2018

EP Review: Aya Safiya’s Sweetly Enchanting and Assertive Debut

Posts pagination
1 … 223 224 225 226 227 … 302

Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services