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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Travis Hayes 2019
Music, PremieresFebruary 27, 2019<February 27, 2019

Premiere: The Stirring Nostalgia of Travis Hayes’ Rich “Empty Orchestra”

Paper Jackets © 2019
Interviews, Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Video Premiere: Paper Jackets Set Off in Impassioned Anthem “Trigger”

Lost Leaders 2019
Music, Music Videos, PremieresFebruary 26, 2019<February 26, 2019

Premiere: Satisfy Yourself with Lost Leaders’ Catchy Critique, “People Like Us”

Editor's Picks 02-25-2019
Columns, Editor's Picks, Features, MusicFebruary 25, 2019<March 20, 2019

Editor’s Picks: February 25, 2019

Good Air - Nap League
Music, Music Videos, PremieresFebruary 25, 2019<February 25, 2019

Premiere: Good Air’s Hazy, Intimate “Nap League” Embraces the Beauty in Simplicity

Josie Dunne © Bree Marie Fish
Music, Music Videos, PremieresFebruary 22, 2019<March 1, 2019

Premiere: Get It on with Josie Dunne’s Catchy Make Out Anthem “Mute”

Change of Scenery - Buddie
Debut, Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Raw Rock Punch of Buddie’s Debut ‘Change of Scenery’

RKCB - Shores EP artwork
Music, ReviewsFebruary 21, 2019<February 21, 2019

EP Review: The Dreamy, Dazzling Beauty of RKCB’s Intimate ‘Shores’

Marina City © 2019
Music, PremieresFebruary 21, 2019<February 21, 2019

Premiere: Marina City’s Seductively Sweet “Addicted”

A.U.R.A © Albert Mikolaj Williams
Debut, Music, PremieresFebruary 20, 2019<February 20, 2019

Premiere: Reverie, Rebirth & Reflection in A.U.R.A’s Enchanting “Immensely I”

Bruiser & Bicycle © Ariel Einbinder
Features, Music, PremieresFebruary 20, 2019<February 20, 2019

Album Premiere: Bruiser & Bicycle’s Delightfully Alternative ‘Woods Come Find Me’

The Lovely Sparrows © Jamaica Cole
Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: The Lovely Sparrows’ Magically Abstract “Shake the Shadow”

Aron Blom 2019
Debut, Music, Music Videos, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Aron Blom’s Breathtaking Live Performance of Intimate Debut “Low Low Low”

Shelley Segal © 2019
Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Basking in the Presence of Love with Shelley Segal’s “Here”

The Weird Years © Shervin Lainez
Debut, Music, PremieresFebruary 19, 2019<February 19, 2019

Premiere: Indie Supergroup The Weird Years’ Haunting Debut “Stranger”

Posts pagination
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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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