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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Drink About You - Kate Nash music video still
Features, Music, Reviews, This Just InFebruary 2, 2018<February 7, 2018

This Just In: Kate Nash Lets Loose in Spirited “Drink About You”

Please Don't Let Me Down - Morgan Cameron Ross
Music, Music Videos, PremieresFebruary 2, 2018<February 2, 2018

Premiere: Morgan Cameron Ross’ Heartfelt “Please Don’t Let Me Down”

Bird Concerns © 2018
Music, PremieresFebruary 1, 2018<February 1, 2018

Premiere: Overcoming Insecurities with Bird Concerns’ Fiery “The Monster”

Chappell Roan © Catie Laffoon
Music, PremieresFebruary 1, 2018<February 1, 2018

Premiere: Chappell Roan’s Haunting “Bitter” Dwells in Darkness

Handsome Ghost © Cortney Armitage
Debut, Features, Music, ReviewsJanuary 31, 2018<February 16, 2018

Welcome Back: Exploring Intimacy & Vulnerability in Handsome Ghost’s Debut

Lets Just Dance - Ships Have Sailed
Music, Music Videos, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Bask in the Moment with Ships Have Sailed’s Euphoric “Let’s Just Dance”

Alfred Hall © Pernille Wangsmo
Music, PremieresJanuary 31, 2018<January 31, 2018

Premiere: Alfred Hall’s “Pearl Diver” & the Never-Ending Search for Happiness

The Visions © 2018
Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: The Visions Are “Lookin for Ya” with Warm, Bittersweet Nostalgia

Pink Skies © Wild Card Music Group
Debut, Music, PremieresJanuary 30, 2018<January 30, 2018

Premiere: Pink Skies Dives Deep in Dreamy Pop Song “Reflections”

Panteon © 2018
Music, Music Videos, PremieresJanuary 29, 2018<March 27, 2018

Video Premiere: Surreal, Real Connection in Panteon’s “January Keeper”

Welcome Center © 2017
Debut, Music, PremieresJanuary 29, 2018<May 29, 2018

Premiere: Welcome Center Blur Drugs & Pain in “Altoids”

Low Swans © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: Vibing Out to Low Swans’ Kind & Dangerous “Ostfront”

The Velvoids © 2018
Music, PremieresJanuary 26, 2018<January 26, 2018

Premiere: A Mystic Intimacy in The Velvoids’ “Absolutely Nothing”

War with Shadows - The Naked Sun
Features, Music, PremieresJanuary 26, 2018<January 26, 2018

Album Premiere: The Naked Sun Debut ‘War with Shadows’ with Raw, Heartfelt Rock

EDEN © Jimmy Fontaine
Debut, Features, Interviews, MusicJanuary 25, 2018<January 26, 2018

Cinematic Nuance & Pop Deconstruction: Exploring ‘vertigo’ with EDEN

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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