• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Aliso - Malena Zavala 9
Debut, Music, Our Take, ReviewsApril 13, 2018<April 12, 2021

Our Take: The Mystic Beauty of Malena Zavala’s Debut ‘Aliso’

Stardust Creatures © Kristen Mita
Music, Music Videos, PremieresApril 13, 2018<April 13, 2018

Premiere: Stardust Creatures’ Underdog Anthem “Spaced Out” Is an Otherworldly NYC Adventure

DEZORAH © Virgil Pena
Music, PremieresApril 13, 2018<April 13, 2018

Premiere: Energy & Anxiety in DEZORAH’s Turbulent “Intención”

Maybe I Will - The Local
Music, Music Videos, PremieresApril 13, 2018<April 13, 2018

Premiere: “Maybe I Will,” The Local’s Hearty Folk-Punk Screw You

Feels Like Air - ISLAND
Debut, Features, Music, Our Take, ReviewsApril 12, 2018<April 26, 2018

Our Take: Fire & Hunger Fuel ISLAND’s Majestic Debut Album, ‘Feels Like Air’

Taylor Phelan © Mike Windle
Music, Music Videos, PremieresApril 12, 2018<April 12, 2018

Premiere: It’s a “Long Way Down” in Taylor Phelan’s Anthemic Life Lesson

The Sea The Sea © Kiki Vassilakis
Columns, Music, Today's SongApril 11, 2018<February 20, 2019

Today’s Song: The Sweet Seduction of The Sea The Sea’s “Bang Bang Bang”

Only Bricks © Matt Edge
Music, PremieresApril 11, 2018<April 11, 2018

Premiere: Indulging in Only Bricks’ Sunny Anthem “(Your Love Gets Me) High”

NoMBe © Jack McKain
Debut, Features, Interviews, MusicApril 11, 2018<June 12, 2018

We Definitely Love Him: An Interview with NoMBe

Lynda © 2018
Debut, Music, PremieresApril 10, 2018<April 10, 2018

Premiere: Lynda Indulge in Heartache on Debut Single “UFO”

Megan Lara Mae © Leva Sproge
Music, PremieresApril 10, 2018<April 12, 2018

Premiere: Finding Inspiration in Megan Lara Mae’s Spirited Anthem “Caribou”

Yoste © 2018
Music, Music Videos, PremieresApril 9, 2018<April 10, 2018

Premiere: Dwell in the Warm Embrace of Yoste’s “Arc” (stripped)

Dana and the Wolf © Bryan Mederos
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: TIME’S UP for Predators in Dana and the Wolf’s “Modern Midas”

Nation of Two - Vance Joy album art
Music, ReviewsApril 6, 2018<April 6, 2018

Highlighting the Sweetest Moments in Vance Joy’s ‘Nation of Two’

Black City - Rich Girls
Debut, Music, Premieres, ReviewsApril 5, 2018<April 5, 2018

Album Premiere: Rich Girls’ Debut ‘Black City’ Is an Unforgiving Defiance

Posts pagination
1 … 246 247 248 249 250 … 306

Recent Posts

  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services