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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Conner Youngblood © Julia Mayorova
Features, Interviews, Music, Track-by-TrackOctober 1, 2024<October 1, 2024

“Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’

The Mysterines © Steve Gullick
Features, Interviews, MusicSeptember 30, 2024<September 30, 2024

“It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’

Peace Ritual © Tahmid Nurullah
Columns, Music, Today's SongSeptember 27, 2024<September 27, 2024

Today’s Song: Peace Ritual Channel Angst & Ecstasy into Impassioned DIY Anthem “Seconds”

The Howl & The Hum © Stewart Baxter
Features, Interviews, Music, Track-by-TrackSeptember 27, 2024<March 2, 2025

Feature: The Howl & The Hum’s Sam Griffiths on Making ‘Same Mistake Twice,’ an Album Full of Dread, Joy, & Human Breath

Brother Elsey © Luke Rogers
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024

“I’ve been doing wrong things”: Brother Elsey Premiere Their Intimate Alt-Rock Anthem of Self-Sabotage & Surrender

Bailey Bigger 'Resurrection Fern' © Caroline Frady
Music, Music Videos, PremieresSeptember 26, 2024<September 26, 2024

“The branches of a willow know the veins in my body”: Singer/Songwriter Bailey Bigger Dreams of Death & Rebirth on “Resurrection Fern,” a Song of Stillness, Serenity, and Connection

deary © Nat Easton
Columns, Music, Music Videos, Today's SongSeptember 26, 2024<September 26, 2024

“You could be my universe”: deary Surrender to Fire & Flame on “The Moth,” a Dark, Seductive Fever Dream

Chance Peña © John N. Choi
Debut, Features, Interviews, Music, Track-by-TrackSeptember 25, 2024<October 2, 2024

“Just chasing the music”: Chance Peña Goes Track-by-Track Through His Debut LP ‘Ever-Shifting, Continual Blossoming,’ a Soul-Stirring Labor of Love

Holly Hebe © 2024
Columns, Interviews, Music, Today's SongSeptember 25, 2024<September 25, 2024

“I didn’t earn my stripes until I threw a punch”: Melbourne’s Holly Hebe Is Embracing Identity Crises & Self-Discovery on Dreamy Anthem “Bottle Blonde” & ‘Ruby’ EP

Emile Mosseri © Cameron Perkins
Music, PremieresSeptember 24, 2024<September 24, 2024

Premiere: The Gentle Heartache & Breathtaking Beauty of Emile Mosseri’s “Don’t Fall Back So Easily”

ARK IDENTITY © Noah Mroueh
Music, Music Videos, PremieresSeptember 24, 2024<September 24, 2024

Premiere: Toronto’s ARK IDENTITY Channels Conviction into Hazy Dream Pop on “Bleed Out in the Night”

Bo Staloch "Santa Fe" © Travis Bailey
Features, Interviews, Music, Today's SongSeptember 23, 2024<September 23, 2024

“Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong

tiny but scary - Juliet Ivy
Features, Interviews, Music, Track-by-TrackSeptember 23, 2024<September 23, 2024

Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’

Leif Vollebekk © Nicholas Sutton Bell
Columns, Music, Today's SongSeptember 22, 2024<September 22, 2024

Today’s Song: Leif Vollebekk Gives Us “Peace of Mind” With a Dreamy, Soul-Stirring, Feel-Good Reverie

Sydney Sprague © Tyler Ann
Columns, Music, Today's SongSeptember 21, 2024<September 21, 2024

“Grab at the string, pull at the end”: Sydney Sprague’s Spirited Self-Soothing Anthem “i tried my best” ft. Kevin Devine

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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