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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

A Silent Film are Robert Stevenson (left) and Spencer Walker (right)
Columns, Music, Today's SongMarch 4, 2015<August 27, 2015

Today’s Song: “Tomorrow” – A Silent Film

Cardboard Kids 5
Debut, Features, Interviews, MusicFebruary 26, 2015<February 26, 2015

Southern Rock in the Modern Age: A Conversation with Cardboard Kids

COIN EP - COIN
Debut, Music, Our Take, ReviewsFebruary 24, 2015<June 7, 2016

COIN EP: Worth Every Cent!

Smoke + Mirrors - Imagine Dragons
Features, Interviews, Music, News, ReviewsFebruary 20, 2015<May 12, 2016

Is It Just Smoke and Mirrors? A Conversation with Imagine Dragons

Concerts, Events, Music, Our Take, ReviewsFebruary 16, 2015<February 17, 2015

KONGOS Sell Out New York!

Shots - Imagine Dragons
Features, Music, News, Previews, ReviewsJanuary 31, 2015<February 5, 2015

Imagine Dragons Album Preview and the Darkness Of “Shots”

Reviews, Today's Song, VideoJanuary 23, 2015<October 15, 2015

TODAY’S SONG: “ Who We Were With” – Paradise Fears

The Airborne Toxic Event
Concerts, Music, News, PreviewsJanuary 20, 2015<January 21, 2015

The Airborne Toxic Event announce 4th album “Dope Machines”

The Eeries
Debut, Music, Our Take, ReviewsJanuary 15, 2015<January 15, 2015

LA “Cool Kids” The Eeries Challenge the Mainstream with Debut EP

Catfish and the Bottlemen
Music, Reviews, Today's SongJanuary 4, 2015<January 8, 2019

Today’s Song: “Homesick” – Catfish and the Bottlemen

Cardboard Kids promo
Music, Today's SongJanuary 2, 2015<January 3, 2015

Today’s Song: “Honey” – Cardboard Kids

Sir Sly (photo: Eliot Lee Hazel)
MusicDecember 31, 2014<May 18, 2025

Editor’s Picks: Mitch’s Top Albums of 2014

Concerts, Music, ReviewsDecember 17, 2014<September 23, 2015

A Night At The Plaza, feat. New Politics & Bad Suns

Debut, Music, ReviewsDecember 15, 2014<March 2, 2025

Holla! Sinclair’s “Sweet Talk” EP is Passionate Indie Pop

KONGOS Vancouver Press Photo High Res 9.4.14
Music, Today's SongDecember 14, 2014<December 14, 2014

Today’s Song: “I’m Only Joking” – KONGOS

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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