• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Scuzz Ortegé
Columns, Debut, Music, Today's SongJune 1, 2016<June 1, 2016

Today’s Song: Scuzz Ortegé Steps Up to Fight on Debut “Bodies”

Earthquake Weather - Onsen
Debut, Features, Music, PremieresMay 31, 2016<May 12, 2020

Exclusive Premiere: Onsen’s “What Fortunes” at the Crossroads of Breakup

Boston Calling May 2016
Features, Festival, Music, News, PreviewsMay 27, 2016<December 10, 2024

(Y)Our Guide to Boston Calling Music Festival, May 2016

Dustin Tebbutt © Cybele Malinowski
Columns, Music, Today's SongMay 25, 2016<May 25, 2016

Today’s Song: Dustin Tebbutt Falls in Love at “First Light”

Rae Fitzgerald © Scott Peterson
Features, Music, PremieresMay 24, 2016<May 24, 2016

Exclusive Premiere: Rae Fitzgerald’s “Lost in Ukrainian Village” Longs for ‘Home’

AOSOON are Marisa Hylton and Manny Folorunso
Features, Interviews, MusicMay 23, 2016<May 22, 2016

Light, Hippie & “High Grade”: A Conversation with AOSOON

Screenshot from Selahphonic's "Ghosts of 1999" music video
Columns, Features, Music, Today's SongMay 20, 2016<May 20, 2016

Today’s Song: Selahphonic’s Infectious “Ghosts of 1999” Lives with Loss

Alexis Babini press
Features, Music, PremieresMay 18, 2016<May 18, 2016

Exclusive Premiere: “Dammit Joanna” exclaims Alexis Babini

"I'm Good" single art - CAPPA
Columns, Music, Today's SongMay 17, 2016<December 15, 2017

Today’s Song: CAPPA Preaches Self-Empowerment on “I’m Good”

"Talk Too Much" single art - COIN
Columns, Music, Today's SongMay 11, 2016<November 11, 2016

Today’s Song: COIN’s “Talk Too Much” Captures Summer Spirit

Violet Van Soest 2016
Debut, Features, Interviews, Music, PremieresMay 9, 2016<May 9, 2016

Exclusive Premiere: “Violet” – Van Soest’s Personal Call-to-Action

Screenshot from Radiohead's "Daydreaming" music video
Features, Music, Music Videos, Our Take, Reviews, This Just InMay 6, 2016<March 7, 2017

Our Take: Radiohead’s “Daydreaming” Twists the Ordinary into Extraordinary

Chasing Waves - Vista Kicks
Debut, Features, Music, Our Take, ReviewsMay 5, 2016<May 13, 2016

Our Take: The Controlled Chaos of Vista Kicks

MOON is Chelsea Davis (vocals/bass) and Dan Silver (guitar/synth).
Debut, Features, Music, Premieres, ReviewsMay 3, 2016<May 3, 2016

Exclusive Premiere: The Energy and Urgency of MOON’s “I Got A Fever”

Screenshot from Anteros' "Breakfast"
Features, Interviews, Music, Music VideosApril 29, 2016<May 7, 2016

Sweet, Savory, and Deceptive: A “Breakfast” Interview with Anteros

Posts pagination
1 … 293 294 295 296 297 … 306

Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services