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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Yam Haus and Sydney Quiseng are "Always Falling in Love"
Columns, Music, Today's SongJanuary 16, 2026<January 16, 2026

“I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet

Atwood Magazine's 143rd Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 15, 2026<January 15, 2026

Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan!

Francis of Delirium © Shade Cumini
Interviews, Music, Today's SongJanuary 15, 2026<January 15, 2026

“A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress”

Theo Bleak © Marilena Vlachopoulou
MusicJanuary 14, 2026<January 14, 2026

“Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing

spill tab and boylife © Jade Sadler
Interviews, Music, Today's SongJanuary 14, 2026<January 14, 2026

“Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife)

Cleo Reed 'CUNTRY' © Amandla Baraka
Features, Interviews, Music, Track-by-TrackJanuary 13, 2026<January 14, 2026

“The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’

Quarters © Theodore Sielatycki & Oliver J. Frisby
Interviews, Music, Today's SongJanuary 13, 2026<January 13, 2026

“You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR”

With Heaven on Top - Zach Bryan
Music, ReviewsJanuary 12, 2026<January 12, 2026

“You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life

Lucia © Sam Martinsen
Interviews, Music, Today's SongJanuary 11, 2026<January 11, 2026

“These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean”

chelsea jordan © Mykah Knox
Artist to Watch, Interviews, Music, Today's SongJanuary 10, 2026<January 10, 2026

“When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out”

Witch Post "Changeling" © Parker Love Bowling
Artist to Watch, Interviews, Music, Today's SongJanuary 9, 2026<January 9, 2026

“We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling”

Brigitte Calls Me Baby © Scarlet Page
Debut, Features, Interviews, MusicJanuary 8, 2026<January 8, 2026

Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread

TOLEDO "Nothing Yet" © 2025
Features, Interviews, Music, Today's SongJanuary 8, 2026<January 8, 2026

“Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet”

Wishlist © Lauren Kimber
Debut, Interviews, Music, Today's SongJanuary 7, 2026<January 7, 2026

“Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving”

DM Arthur © 2025
Interviews, Music, Today's SongJanuary 6, 2026<January 6, 2026

“Wash the Damage Off”: DM Arthur Embraces Resilience, Release, and Renewal on Feel-Good “Fire & Soap”

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Recent Posts

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  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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