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Monica Mellon

Monica Mellon

Brasko © Zachary Gray
Columns, Music, Today's SongMay 10, 2019<May 10, 2019

Today’s Song: Brasko’s Sexy New Summer Bop “Lipstick Stains”

Lizzy Land © Ella Zoller
Columns, Music, Today's SongApril 26, 2019<April 26, 2019

Today’s Song: Remembering Our Strongest Relationships with Lizzy Land’s “Call Me”

Ben Morrison music
Music, PremieresApril 17, 2019<April 18, 2019

Premiere: Lamenting Lost Love with Ben Morrison’s “I Hope You’re Not Sorry”

Catfish and the Bottlemen © 2015
Columns, Music, Reviews, Today's SongApril 4, 2019<April 4, 2019

Catfish and the Bottlemen’s “Tyrants” Will Always Be the Perfect Closing Song

Fort Gorgeous © Shervin Lainez
Debut, Music, PremieresApril 26, 2018<April 26, 2018

Premiere: Fort Gorgeous Dwells in Life’s Mysteries in “Wishing Well”

Jenny March © Collect1ve Mind
Music, PremieresApril 6, 2018<April 6, 2018

Premiere: Jenny March’s Carefree “Talk to Me” Captures Everything Pop with a Twist

The Lay Awakes © Patrick Kolts
Music, Music Videos, PremieresMarch 21, 2018<March 21, 2018

Premiere: The Lay Awakes’ “Falling in Love” Captures the Feeling of New Emotions

Blake Brown & the American Dust Choir © Glenn Ross
Debut, Music, PremieresFebruary 20, 2018<August 24, 2022

Premiere: Chasing Dreams on Blake Brown & the American Dust Choir’s “Between the Lines”

White Nylon - Dakota Blue
Music, Music Videos, PremieresFebruary 16, 2018<February 16, 2018

Video Premiere: Dakota Blue’s “White Nylon” Highlights Our Fear of the Unknown

The Vaccines © Brad Elterman
Columns, Music, Today's SongFebruary 2, 2018<February 1, 2018

Today’s Song: The Vaccines Return with Rock Anthem “I Can’t Quit”

Weezer © Crush Music
Columns, Music, Today's SongDecember 19, 2017<December 19, 2017

Today’s Song: Weezer’s “Get Right” is the Perfect Bummer Song

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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