• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Rachel Leong

Rachel Leong

Adam Melchor © Daniel Topete
Columns, Music, Today's SongOctober 6, 2022<October 6, 2022

Today’s Song: Adam Melchor’s “Cry” is Pure Escapism & Unapologetic Reflection

Smiling Like an Idiot - Sorcha Richardson
Music, ReviewsSeptember 28, 2022<September 28, 2022

Review: Sorcha Richardson Returns with Shimmering Sophomore Album ‘Smiling Like an Idiot’

Corey Harper © Harper Smith
Debut, Features, Interviews, MusicSeptember 23, 2022<September 29, 2022

Interview: Corey Harper Talks Embracing Change, Hope, & Comfort in the Storm on His Debut Album ‘Future Tense’

Soccer Mommy © Sophie Hur
Music, ReviewsJune 24, 2022<June 24, 2022

Review: Soccer Mommy Quivers Unapologetically in Third Album ‘Sometimes, Forever’

Paul Thomas Saunders © Ali Painter
Columns, Music, Today's SongJune 22, 2022<June 22, 2022

Today’s Song: Paul Thomas Saunders Is Soaring High in New Single, “Heartlands” After 8-Year Hiatus

Every Single Thing - Will Joseph Cook
Music, ReviewsJune 13, 2022<June 13, 2022

Will Joseph Cook Shines in Most Playful & Spunky Album to Date, ‘Every Single Thing’

Soccer Mommy © Sophie Hur
Columns, Music, Today's SongJune 7, 2022<June 7, 2022

Today’s Song: Soccer Mommy Seamlessly Integrates the New, Retro, and Modern in “Bones”

Charlie Burg © Dannah Gottlieb
Columns, Music, Today's SongMay 30, 2022<May 30, 2022

Today’s Song: Charlie Burg’s Nostalgic “97 Avalon” Is a Heartfelt Letter to Life & Living

Posts pagination
1 … 3 4 5

Recent Posts

  • “I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning October 28, 2026
  • “You Don’t Have to Take This Crap”: Why The Style Council’s ‘Our Favourite Shop’ Is the Best Political Album of All Time October 28, 2026
  • “Tell Someone You Love Them”: Lucia & The Best Boys Revel in Big Romance and the Beautiful Audacity of Feeling Everything on ‘Picking Petals’ October 28, 2026
  • Playing “The Man”: Irony, Intimacy, and Inequity in Anoushka Lucas’s Music October 27, 2026
  • Meet Olivia Barnes and Her Instinct for a Great Song October 27, 2026
  • Live Review: Tokyo Tea Room Bring the Most Relaxing Concert to New York City’s Bowery Ballroom October 27, 2026
  • The Kimpton Everly, Pizza Boxes, and the Music That Shapes Our Vacations October 27, 2026
  • Feature: Nicotine Dolls Unleash Sex, Destruction, & Rock ’n’ Roll on Their Self-Titled Sophomore Record October 27, 2026
  • Relishing in the Process: The Making of Avery Friedman’s “You Move” October 27, 2026
  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services