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Alexis

Alexis

Alexis is a lover of flowers, mornings, nature, and dogs. She spends her waking life dreaming and writing. If she isn't doing one of the two, she's usually studying for her B.A. in English.

Columns, Hidden Gems, MusicSeptember 11, 2014<September 8, 2014

Accepting Change with Conor Oberst’s Hidden Gem, “Fast Friends”

Features, Interviews, MusicAugust 25, 2014<August 25, 2014

A conversation with Asgeir

Music, Music Videos, ReviewsAugust 20, 2014<August 20, 2014

Sunbeam Sound Machine’s “Cosmic Love Affair”

Art, Features, Interviews, PhotographyAugust 11, 2014<August 11, 2014

A conversation with Anna Ladd

Art, Features, Interviews, PhotographyAugust 5, 2014<April 27, 2024

A conversation with Dennis Auburn

Music, Nostalgia TracksJuly 10, 2014<July 10, 2014

Nostalgia Tracks: Thao & The Get Down Stay Down’s “The Feeling Kind”

Features, Interviews, PhotographyJune 27, 2014<June 30, 2014

A Conversation with Vivienne Mok

Recent Posts

  • Killjoys, Make Some Noise: Diving Deep into My Chemical Romance’s ‘Danger Days’ July 14, 2026
  • Liner Notes: A Pretty Park With Paige O, Toronto’s Ladybug-Stickered Singer/Songwriter July 14, 2026
  • “Where the Water Meets the Sky”: Anne-Claire Makes a Spellbinding Return on “River,” a Lush, Sweeping Portrait of Love and Longing July 14, 2026
  • “You Can Do Whatever You Want”: Ryann Ross on Her Debut EP ‘On the Marsh’ and the Songs You Can’t Recreate July 14, 2026
  • “I’m Just a Tourist From the 51st State”: The Howlers Wake Up from the American Dream on “L.A. Morning” July 13, 2026
  • “There Will Always Be Ghosts Following You”: Lee Emi Confronts the Myth of a “Clean Slate” in a Raw Reckoning With the Inescapable Past July 13, 2026
  • “The Cover Story Stands”: Notes From Under Ground Skewers Music-Industry Nepotism on “Names In Blue,” a Sun-Kissed and Scathing Satire July 13, 2026
  • Finn Wolfhard Thinks Great Art Should Leave Fingerprints July 13, 2026
  • “Kicking the Past in the Teeth”: Loren Berí Reckons With Aging, Nostalgia, and His Own Jadedness on “Dimes Square Is Over,” a Synth-Pop Eulogy for a Fallen Scene July 13, 2026
  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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