• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Baylee Less

Baylee Less

Baylee is an aspiring music journalist who currently contributes to Atwood Magazine and the I Love Memphis Blog. A native (and proud) Memphian, she spends most of her time waiting for the next Bonnaroo, quoting School of Rock, and late night ordering Domino's cheesy bread. Follow me on Twitter for comments on the juiciest releases, climate change, and general revelry.

Colony House
Features, Interviews, MusicFebruary 10, 2020<February 10, 2020

Interview: Colony House Revitalize the Sublime Art of Storytelling in New Album ‘Leave What’s Lost Behind’

Debut, Music, PremieresJanuary 29, 2020<January 28, 2020

Premiere: CHERITON Brings Summer Early with Debut Single “Parallel”

Milky Chance © Jeff Hahn
Features, Interviews, MusicDecember 4, 2018<December 4, 2018

Worldwide Tours, Jack Johnson, and Lakes: A Conversation with Milky Chance

Saski © 2018
Music, Music Videos, PremieresOctober 19, 2018<October 19, 2018

Premiere: Saski’s “Set Fire” Mesmerizes with Vulnerability & Whimsical Energy

Mempho Music Festival 2018 © Baylee Less
Festival, MusicOctober 11, 2018<October 11, 2018

Review: Mempho Music Festival, October 2018

Mempho Music Festival 2018
Festival, Music, News, PreviewsOctober 5, 2018<October 5, 2018

(Y)Our Music Guide to Mempho Music Festival, October 2018

VÉRITÉ © Eric Ryan Anderson
Features, Interviews, MusicJune 19, 2018<June 27, 2018

Interview with VÉRITÉ: Streaming Platforms, Cover Songs, and Laughs

Drew Erwin © Samantha Notowich
Music, PremieresMay 2, 2018<May 1, 2018

Premiere: Drew Erwin Urges You to Explore “With Your Own Eyes”

When My Heart Felt Volcanic - The Aces
Debut, Features, Music, ReviewsApril 18, 2018<April 18, 2018

The Aces’ When My Heart Felt Volcanic: An Explosive Track-by-Track Review

Inspired & The Sleep © 2018
Music, PremieresApril 5, 2018<July 10, 2019

Premiere: Inspired & The Sleep Are Raw and Vulnerable in “First Time”

Wet © Brianna Capozzi
Music, Reviews, This Just InMarch 9, 2018<March 9, 2018

This Just In: Wet Charms Us with New Vibrancy in “There’s a Reason”

Blood - Rhye
Features, Music, Our Take, ReviewsFebruary 28, 2018<February 28, 2018

Our Take: Minimalist Production & Sexual Intimacy in Rhye’s ‘Blood’

Nina Nesbitt © Julia Underwood, "Somebody Special
Features, Interviews, MusicFebruary 13, 2018<March 6, 2018

Making Pop Personal: A Conversation with Nina Nesbitt

THE WLDLFE © Nitish Durbha
Music, PremieresFebruary 12, 2018<February 13, 2018

Premiere: The Energy & Nostalgia of THE WLDLFE’s “I Don’t Mind”

Aisha Badru © Neda Bridgeman
Debut, Features, Interviews, MusicJanuary 23, 2018<January 23, 2018

Evocative and Understated: A Conversation with Aisha Badru

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services